Tuesday, 29 November 2011

Photographs of Tower Bridge being constructed are found in a skip

Images courtesy of Wikipædia
Photographs of Tower Bridge being constructed are found in a skip

A fantastic find here as previously unseen pictures of the iconic Tower Bridge in the very early stages of its construction are revealed, after laying undiscovered in a London flat for years - including at one point being consigned to a skip!


Some of these photos must date from close to the beginning of the bridge's creation in 1886, as quite apart from the basic amount of progress visible in some of them, according to the accompanying report the "most recent" ones date from 1892 - two years before completion!

It always amazes me how such historically important documents can be lost and even disposed of without a second thought, let alone dismissed - particularly by those who should know better.  More fool that Tower Bridge Museum worker who indifferently claimed "we've got enough of those photographs already"!  How many of us have come into possession of - have saved - really old items that people were going to throw out as rubbish?  I know I have!  Well done to this caretaker, whoever he is, and to City of Westminster tour guide Peter Berthoud, for saving a record of the construction of a beautiful landmark structure and a piece of British history.


Tower Bridge, with its 19th Century Gothic stonework and unique design, has long been one of my favourite London landmarks.  Crossing it is always a thrilling experience and to see it or approach it both up close and from a distance is one of the greatest delights of working in the City.  I'm overjoyed to see these new photos detailing its creation, which was in itself an engineering marvel, and I'm sure they will now take pride of place in a London museum.

Thursday, 24 November 2011

Flying on four wheels - the best of the classic aero-engined monsters

Bespoke Bentley that rewrites the rules of giant cars

Image from The Daily Telegraph
Inspired by the above article and with the feeling that I ought to blog about something really masculine to counterbalance recent posts featuring women's fashion I thought I'd gather together some of my favourite examples of "giant cars" - vehicles old (and new) that are powered by aeroplane engines.

1909 "Blitzen Benz"

The 1909 Blitzen Benz was not actually powered by an aeroplane engine, but rather a development of Mercedes' grand prix engine at the time.  The aim was to build a car that could exceed 200km/h (124mph), for no other reason than to see if it could be done, one supposes.  The standard in-line 4-cylinder 150hp racing engine (and remember, this is 1909, over 100 years ago!) was found to be unequal to the task, however, so Mercedes did the usual thing when an engine was not powerful enough for the job - they increased the displacement.  To 21½-litres.  That's right - twenty-one point five litres.  Power jumped to 200hp at 1,600rpm  (a modern Ford Focus 1.6 develops its full 180bhp at 5,700rpm) and on the 9th November 1909 at the Brooklands race circuit, a Blitzen Benz set a new record of 202km/h (126mph) over 1km.  Then two years later at Daytona Beach another one was clocked at 228km/h (141mph) over 1 mile, a record that stood for 8 years.  A total of six Blitzen Benzes were built with many of them surviving to this day and one can be seen at the Mercedes Benz World museum at Brooklands in Surrey. 



1924 Fiat Mefistofele

Another monster that began life as a grand prix car, this time a 1908 Fiat with an original displacement of 18 litres, which you'd think would be big enough as it is.  When that engine exploded in 1922 (quite spectacularly, according to contemporary reports) the car passed into the ownership of one Ernest Eldridge.  He promptly replaced the shattered 18-litre engine with an in-line 6-cylinder Fiat aeroplane engine of 21.7-litres capacity, more normally found in airships and heavy bombers.  This was then modified further, resulting in power increasing from an already heady 260hp to a scarcely believable 320hp, again at the ridiculously low rpm of 1,800.  Despite weighing 2 tons and with no front brakes, Mefistofele hit 146mph on the 12th July 1926 taking the world speed record at the time.  Fiat bought Mefistofele from the descendants of Eldridge in the late 1980s and it is now in their Turin museum, with occasional guest appearances elsewhere.



1921-1927 Chitty Bang Bang

A series of four cars that inspired the well-known story of Chitty Chitty Bang Bang, all owned by a Count Louis ZborowskiThe exact source of the car's name is unknown, it was either an onomatopoeic appellation taken from the noise of the car's engine or it was based on a bawdy First World War song.

Regardless of how the name came about, Chitty Bang Bang began life in 1921 as a Mercedes-based race car fitted with a 23-litre Maybach in-line 6-cylinder aeroplane engine.  In this configuration it eventually achieved a top speed of 120mph (190km/h).  The second Chitty was slightly smaller both in length and engine size, making do with an 18.8-litre Benz aero engine; the third incarnation was similarly equipped and lapped Brooklands at 112mph.

The fourth car to bear the name went all-out with a 27-litre V12 Liberty aero engine of 450hp and a gearbox and chain-drive taken from one of the Blitzen Benzes.  After Zborowski's death this car was bought by Welsh racing driver and land speed record holder John Godfrey "J.G." Parry-Thomas who renamed it "Babs" and on the 28th April 1926 used it to take the world land speed record at Pendine Sands in Wales with a speed of over 170mph (270km/h).  A year later on the 3rd March 1927, after the record was broken again by Malcolm Campbell, Parry-Thomas attempted to reclaim the title but was killed in the attempt.  The car was wrecked and later buried in the sand.  It remained there for almost 40 years before eventually being recovered and restored (not without difficulty considering the terrible condition it was in) during the 1960s/70s; it is now shared between the Pendine Museum of Speed and Brooklands.



1931 Rolls-Royce Phantom II Merlin

Starting out as a standard 1931 Phantom II this particular example was modified to accept a 27-litre V12 Rolls-Royce Merlin engine (of Spitfire fame) some time in the 1970s.  Restored in the 2000s it recently sold at auction for $410,000 (£263,500).  With an estimated 1,100hp on tap performance was described as "unbelievable" and on one occasion this 1931 Rolls-Royce was able to out-accelerate a 1958 grand prix car!

1933 Napier-Railton and 1968 Napier-Bentley

The 1933 Napier-Railton was built especially for racing driver John Cobb by renowned automotive engineer Reid Railton (what a name!); both men would later work together on the land-speed record-beating Railton Special.

The Napier-Railton had a 23.9-litre W12 Napier Lion aeroplane engine and put out more than 500hp.  At the Brooklands track in 1935 Cobb set a lap record of 143mph (231km/h), a mark that stands to this day.  Theoretically capable of a maximum speed of 168mph, the Napier-Railton has been in the possession of the Brooklands Museum since 1997.

The Napier-Bentley was built as an homage to the Napier-Railton in 1968, originally based on a Sunbeam but later rebuilt using a Bentley chassis.  It uses the same engine as the Railton and so has practically the same performance but is in private hands, although it makes frequent appearances at Brooklands and elsewhere.  (I have been lucky enough to see both in action at the Brooklands Centenary celebrations back in 2007 - or was it 1937?).



1953 Swandean Special

Built by a man called Michael Wilcock of Worthing in Surrey out of two army Daimler scout cars and a 27-litre V12 Merlin engine bought from a scrapheap for £50, this took part in several time trials up and down the country, once being clocked at 150mph - in third gear!  Fitted with a supercharger it reputedly made 1,600hp at 3,000rpm.  Later made its way through several American collectors before being restored to pristine condition in time for the 2008 Pebble Beach Concours d'Elegance.

2010 Packard-Bentley "Mavis"

Obviously not satisfied with owning the aforementioned 24-litre Napier-Bentley, automotive enthusiast Chris Williams has since built a successor to that car and one that fully deserves the title of "monster".  Again, not really an aeroplane engine, but rather a variant of a Packard V12 42-litre engine in marine form taken from a Second World War PT boat.  With fifteen hundred brake horsepower and 2,000lb ft (2,700Nm) of torque, nothing can come close to this imposing beast.  It's a wonder the 1930 Bentley 8-litre chassis can handle it, even with all the modifications it has had to have.  You might want to turn the volume down (or up, if you're so inclined) a bit for this one, it's LOUD! 



1925 BMW "Brutus" Experimentalfahrzeug

Well, perhaps almost nothing can touch "Mavis" (oo-er missus!).  Meet Brutus.  Wouldn't they make a lovely couple?(!).

After its defeat in 1918 and the signing of the Versailles Treaty a year later Germany was not allowed to produce armed aircraft, which meant a lot of surplus aero engines lying about.  Nothing was mentioned in the treaty about cars (except of the armoured variety) however, so BMW took one of its redundant V12s and plonked it on to a 1908 American-LaFrance racing chassis.  With 46-litres and 12-cylinders the result is 740hp and the ability to do 60mph at 800rpm (about where your car idles).



I was going to include the bespoke aero-engined land speed record cars like the Railton Special, the Golden Arrow and Malcolm Campbell's various Blue Birds but I think I've gone on for far too long, so I'll save them for another time.  As it is I've got an urge to don some white overalls, leather hat and goggles and tinker about with some big-engined cars.  Vroom-vroom!

Tuesday, 22 November 2011

Forties Fashion #4: Day Wear 1941

I hadn't forgotten this fashion series, taken from a sourcebook I picked up in a library sale at the beginning of the year, and as there seems to be a dearth of things to blog about at the moment now would seem to be the time to continue it.

We've now reached 1941 so clothes rationing is really beginning to bite, but did that ever stop anyone?

The first three ladies are intent on going about their business as stylishly as the war will allow and wear, from left to right, the following:

(l) Charcoal grey wool two-piece suit:  long single-breasted fitted jacket with 3-button fastening and turned-up collar & lapels; seams of top-stitched panels continue into knee-length skirt (clever!); hip-level patch pocket with inverted bow pleat and black ribbon bow trim matching small breast pocket; fitted inset sleeves with padded shoulders.  Brimless (there's a war on, remember) draped black silk hat with pink silk carnation trim.  Black leather clutch bag and matching shoes.

(c) Tan and beige patterned wool-jersey edge-to-edge coat with full-length fitted sleeves, padded shoulders and hip-level welt pockets; lapels matching buckled belt and collarless dress.  Beige felt hat, long beige leather gloves and tan leather shoes.

(r) Powder blue linen dress with bloused bodice above navy blue leather buckled belt; padded shoulders, matching buttons on mock double-breasted fastening and top-stitched darts on right side of fabric continuing as hip yoke in knee-length flared skirt; white cotton-piqué roll collar with matching short-sleeve cuffs.  Navy blue felt hat [small crown, swept-up bonnet brim], navy blue leather clutch bag and shoes with white cotton gloves.

So on to the next lady, who wears:

Yellow crepe dress patterned with grey and white flowers and bloused bodice, self-fabric buckled belt, elbow-length sleeves and padded shoulders; gathered shaping between high round neckline and curved half-yoke seams, repeated cut and gathered side panels.  Small white straw hat with yellow flower trim, white leather clutch bag and gloves; black and white leather shoes (co-respondents or spectators, perhaps?)

Now then chaps, finally, here we go!  The poor old outnumbered man (I know how he feels!) wears:

Grey wool three-piece suit consisting of single-breasted jacket with 3-button fastening with wide lapels and piped pockets, single-breasted collarless waistcoat and straight-cut trousers with turn-ups.  White cotton collar-attached shirt and striped silk tie; grey felt trilby and black leather lace-up shoes.

Well there we have it for another fashion phase.  I'm hopeful that it won't be another 8 months before another appearance of Forties Fashion which, for the record, will be evening wear.  Hmmmnn, perhaps I shall tie it in with the Christmas party season...

Thursday, 17 November 2011

The Artist pays homage to Hollywood's silent era



The Artist pays homage to Hollywood's silent era

There is a lot of anticipation surrounding this film in vintage blogdom, and rightly so.  A silent black & white film, set between 1927 and 1932 and filmed in the style of period?  Yes please with knobs on!

This could have been a big risk for French director Michel Hazanavicius but it looks to have paid off handsomely and then some.  Highly acclaimed at its premiere in Cannes, with lead star Jean Dujardin winning the best actor award, it now seems that the Oscars themselves are in this film's sights.  Could this be the first silent film in eighty-three years to win Best Picture?  It would certainly do wonders for it (not to mention the entire genre) if it did.

I've scarcely been able to contain my excitement about The Artist ever since I first heard of it a couple of months ago, but my enthusiasm has always been tempered by how these types of films (which some might call arthouse) have been treated by the large cinema chains and received by moviegoers in general.  When I tried to see film noir homage The Good German back in 2006 I was disheartened to discover that my local cinema was showing it for only one week, once, at midnight.  And that was it.  Then there was the time I had to travel 20 miles to see Flyboys and found myself the only person at the screening!  (OK, perhaps it was fun to have the whole auditorium to myself, but it was also disappointing to see such a low turnout even for the weekday matinée that it was).

So it is with some trepidation that I continue to wonder about the reception this film will receive from wider audiences both here and in the United States.  How will modern filmgoers used to 3D, not to mention colour and dialogue, take to monochrome and inter-titles?  Will it even get a full and proper nationwide release?  With luck and thanks to its success at Cannes, its overwhelmingly positive reviews and possible Oscar presence it may well break into the "mainstream".  We can only hope!

And if it does, it may mark something of a resurgence in popularity for silent movies.  If it can introduce at least one modern viewer to the delights of early cinema, it will have been a success if you ask me.  Plus with the release of Silent Life, a similar film about Rudolph Valentino, also planned for next year, 2012 could well be the year of the silent movie!

Tuesday, 15 November 2011

Attention ladies!

Shameless plug time again, but knowing my female readers' penchant for vintage frocks and their general handiness with the needle and thread, one that you might all appreciate.

My American Auntie - whose vintage eBay store I have mentioned previously and which appears at the bottom of this blog - has some items that you may be particularly interested in.  Are you ready?
















These are just a few examples of the sixteen patterns currently available in the store.  I know next to nothing about these things, of course, but I felt it only right to give you a heads-up in case you're interested.

Right, advert over!

Monday, 14 November 2011

A small redesign...

What ho, one and all! 

You may have noticed a slight change to the layout of Eclectic Ephemera.  Yes, I've switched to a 3-column look in order to free up a little bit of room on the blog - I felt it was getting a mite overcrowded.  And all done in an instant, without any fiddly resizing or formatting!  The wonders of Blogger - well done chaps!

Here's hoping you like my attempt at redecorating...

Thursday, 10 November 2011

Castle Hedingham regulars to restore £1 phonebox to 1930s glory

source

Castle Hedingham regulars to restore £1 phonebox to 1930s glory

Castle Hedingham is a charming mediæval village in the north of Essex, close to Colchester (and actually lies on the Roman road to Cambridge).  It retains the Norman-era Hedingham Castle as well as several original timber-framed buildings; it is also home to the Colne Valley Railway heritage line.  In short, it is an historical gem.


The locals know this too, which is part of the reason why the area has managed to retain so much of its rural character. Now the parish council and The Bell Inn public house are further adding to that character by adopting the classic red telephone box that stands opposite the pub, with the intention of restoring it to its 1930s glory - complete with period adverts and signage!

Image courtesy of Chris & Sarah Plows/PicturesOfEngland.com

So thanks to the residents of Castle Hedingham and the owners & patrons of The Bell an iconic telephone box will soon be given a new lease of life as a centre-piece of a traditional English village, in a great example of civic pride and co-operation.  Excellent news all round and yet another welcome addition to this delightful little corner of Essex.

Followers

Popular Posts