Silence is golden for "The Artist"

I never doubted it for a minute, you know.  The Golden Globes hinted at it, the BAFTAs all but confirmed it and last night The Artist rose to the top of the pile and deservedly won five Oscars™ including Best Picture and Best Actor for Jean Dujardin, becoming the first silent film to win the top prize since Wings at the very first Oscars™ ceremony back in 1929.  Eighty-three years is a long time to wait (as long as 82-year-old Canadian actor Christopher Plummer, who should also be congratulated for his Best Supporting Actor award, which makes him the oldest recipient of one of those little statuettes)!

"The Artist" paints golden picture at Oscars

I don't mean to sound like a cracked record but I make no apologies for singing the praises of The Artist loud and long.  This may well be a once-in-a-lifetime occurrence and it should be made the most of, particularly by those of us interested in vintage and classic films.  Hopefully it will introduce a whole new audience to the wonders of the old black-and-white silents.

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Oscars 2012: The Artist's win reminds us to protect our film heritage

I went and saw it at the cinema again last week, the first time I've seen the same film twice since 1995, and it was as wonderful as the initial viewing.  I may yet see it a third time, although showings at my local picture house are down to two an evening now.  At the risk of repeating myself, it absolutely warrants viewing on a big screen.  I was surprised but pleased to see the auditoria packed on both occasions I attended although it has to be said that my presence undoubtedly lowered the average age of the audience by a good few years(!).  Still it was great to see such popularity and enjoyment, especially in my neck of the woods - be it curiosity or out-and-out appreciation this is one silent film that has the public talking!

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As an aside, I just bought [via download] the wonderful (and award-winning) soundtrack today, so I can now go about my business with a little bit of black-and-white movie magic music as accompaniment.  Although it's dashed difficult to live out a silent film, with all the noise things make!

The release date for the DVD has also just been announced.  Mark the 7th of May in your diaries, as that's when this little gem makes it on to a distinctly un-vintage format!

The Artist pays homage to Hollywood's silent era

The Artist pays homage to Hollywood's silent era

There is a lot of anticipation surrounding this film in vintage blogdom, and rightly so.  A silent black & white film, set between 1927 and 1932 and filmed in the style of period?  Yes please with knobs on!

This could have been a big risk for French director Michel Hazanavicius but it looks to have paid off handsomely and then some.  Highly acclaimed at its premiere in Cannes, with lead star Jean Dujardin winning the best actor award, it now seems that the Oscars themselves are in this film's sights.  Could this be the first silent film in eighty-three years to win Best Picture?  It would certainly do wonders for it (not to mention the entire genre) if it did.

I've scarcely been able to contain my excitement about The Artist ever since I first heard of it a couple of months ago, but my enthusiasm has always been tempered by how these types of films (which some might call arthouse) have been treated by the large cinema chains and received by moviegoers in general.  When I tried to see film noir homage The Good German back in 2006 I was disheartened to discover that my local cinema was showing it for only one week, once, at midnight.  And that was it.  Then there was the time I had to travel 20 miles to see Flyboys and found myself the only person at the screening!  (OK, perhaps it was fun to have the whole auditorium to myself, but it was also disappointing to see such a low turnout even for the weekday matinée that it was).

So it is with some trepidation that I continue to wonder about the reception this film will receive from wider audiences both here and in the United States.  How will modern filmgoers used to 3D, not to mention colour and dialogue, take to monochrome and inter-titles?  Will it even get a full and proper nationwide release?  With luck and thanks to its success at Cannes, its overwhelmingly positive reviews and possible Oscar presence it may well break into the "mainstream".  We can only hope!

And if it does, it may mark something of a resurgence in popularity for silent movies.  If it can introduce at least one modern viewer to the delights of early cinema, it will have been a success if you ask me.  Plus with the release of Silent Life, a similar film about Rudolph Valentino, also planned for next year, 2012 could well be the year of the silent movie!