The sun has got his hat on!

And it goes without saying that so should you, if you're out making the most of this summer weather.  Boaters, Panamas, pith helmets - but not baseball caps! - it doesn't matter so long as your bonce is covered.

Health advice dispensed, it's time for me to move on to the meat of this post.  Summer has most definitely arrived here in Britain and is making up for lost time by posting several consecutive hottest days of the year.  What better time then, in the lack of any other interesting news at the moment, to post a few of my favourite sunny, summery songs from the 1930s.



The song that lends itself to the title of this post, The Sun Has Got His Hat On is still well-known as a nursery rhyme but was originally written by Noel Gay and Ralph Butler in 1932 and recorded by two of the top British bandleaders of the time - Bert Ambrose and Henry Hall (the latter well-known for his child-friendly nursery-rhyme recordings).  The lyrics have, unfortunately, in one place in particular not dated well as you will undoubtedly hear (I shouldn't have to tell you to remember, of course, the time in which this song was recorded and the different attitudes and sensibilities that existed then but I will mention it just in case...!) and in later versions the offending line was changed to "roasting peanuts".



The Henry Hall recording remains my favourite of the two but they're both still jolly good fun!

Another jolly solar-themed recording from 1932 (was that also a "hottest year", I wonder?  Looks like it was a bit) is this cracking number by Jack Payne & His Band.  Easily matching the pep of The Sun Has Got His Hat On this tune fairly trots along!



What summer soundtrack would be complete without the great, inimitable Noël Coward and his wonderful song Mad Dogs and Englishmen.  Recorded here in November 1932 (again!) it was written the year before and first performed by Beatrice Lillie before Coward incorporated it into his cabaret act and made this version with the Ray Noble Orchestra.

Sadly I'm not much of an Englishman in this regard as I'm not overly fond of the heat and tend to avoid the blazing sun at its zenith (in all seriousness, for those of you in London and its environs the Department of Health has just officially declared this a Level 3 heatwave and advised people to stay out of the sun as much as possible between 11am - 3pm) and even now I'm finding it almost too hot to type!



Red Sails in the Sunset is another firm favourite and a popular song of 1935, since when it has been recorded by a multitude of artists including Guy Lombardo, Bing Crosby, Al Bowlly and Vera Lynn.  Once again I find myself drawn to the Ambrose version, though, and the images it conjures of stylish, relaxing summer evenings on holiday at the likes of Burgh Island, Cannes, or Le Touquet.



On the other side of the Atlantic, Glenn Miller recorded several songs with "Sun" in the title including Sunrise Sunset, Sunrise Serenade (originally written by Frank Carle and first performed by Glen Gray and the Castle Loma Orchestra in 1939 it was successfully recorded by Miller the same year as a companion "B-side" to Moonlight Serenade) and Sun Valley Jump.  Sunrise Sunset isn't on Youtube but the other two are and as I can't put a pin between them for preference here they both are:





Sunrise Serenade I always find particularly evocative, lending to my mind's eye images of "sunrise on the farm" in some little American homestead - the first rays just peeping over the barn, cockerels crowing and the farmer starting out for his fields on a tractor, that sort of thing.

I'll finish with a song that extols you to keep On The Sunny Side of the Street.  First written and performed in 1930 (its Depression-era roots are even more apparent in earlier, slower versions like this one by Ted Lewis) it became a more up-tempo jazz standard by the end of the decade and is performed in this instance by Lionel Hampton & His Orchestra:



Regardless of whether you enjoy this level of heat or not (and with apologies to those of you who might not be enjoying such sunny conditions where you are) I hope you all continue to walk "on the sunny side of the street" - with your hats on, of course! - and have a great summer.

Here comes the Boogie (Woogie) Man

Well the clocks have gone back one hour to good old Greenwich Mean Time and thoughts have turned to the fast approaching night of 31st October - All Hallow's Eve!  Inspired by a recent post by Mim over at Crinoline Robot, I thought I'd do for Hallowe'en what I did for my last two bloggy Christmases so I've cobbled together a selection of spooky songs from the 1930s and '40s by some of my favourite artists of the day.



Mysterious Mose was an early Betty Boop cartoon from the Fleischer Studios (who would later have further successes with their famous Popeye and Superman cartoons).  It in turn was inspired by this song, written by Walter Doyle and also released in [April] 1930, originally by Rube Bloom and His Bayou Boys but swiftly recorded by a number of bands including Harry Reser, Cliff Perrine and and Ted Weems (with their respective Orchestras).



The great Cab Calloway features here twice - first in the seldom-heard 17th June 1931 recording of The Nightmare and then the later (28th February 1939) recording of The Ghost of Smokey Joe.



Me And The Ghost Upstairs often appears on Fred Astaire CD anthologies but was actually cut from the film in which it featured, 1940's Second Chorus. Luckily the raw footage still exists, albeit in pre-production quality and not subject to the final Astaire polish (not that you'd notice!) so we can see Fred jitterbuggin' and lindy-hopping with a ghost (actually his long-time friend and choreography partner Hermes Pan shrouded in sheets and wearing high heels!).



One from our English bandleader Henry Hall, who was well-known for doing child-friendly songs such as The Sun Has Got His Hat On and The Teddy-Bears' Picnic and who here performs a splendid rendition of Hush, Hush, Hush, Here Comes The Boogeyman, with singer Val Rosing, from 1932.



Tommy Dorsey and His Orchestra are on fine form in this sweet version of a Larry Clinton composition from 1937, Satan Takes a Holiday.



We finish with the wonderfully-titled Celery Stalks At Midnight, originally recorded in 1940 by Will Bradley and His Orchestra but in this version from a year later (6th February 1941) masterfully sung by Doris Day, with Les Brown and The Band of Renown.

As well as playing these cracking and creepy tunes I have also lined up a Boris Karloff-fest for Wednesday night with a programme featuring Frankenstein, The Bride of Frankenstein and The Mummy (plus Ghostbusters, of course - if I can fit it in!).  Have a spooktacular time, everyone!

Christmas is coming!

Today is the 1st of December and that can only mean one thing - Christmas is just around the corner! I try to make it a general rule to avoid Christmas as much as possible before the actual month itself, which is practically impossible outside my own four walls as it's usually prevalent in shops from the about the middle of September. It seems to me that in these more austere times things have been rather low-key up until now compared to previous years, though. I shan't be putting up any decorations for another week yet - I know Advent was last Sunday but my parents always used to operate a "two weeks either side of Christmas Day" policy and I continue to follow that tradition. However I feel more than happy to start playing Christmas songs now, and have dug out my CDs and stuck them on the iPod.

For years all my Christmas music consisted of was mainly modern interpretations of classic tunes, such as by the new Glenn Miller Orchestra. The furthest any of my CDs went back to was 1950s Dean Martin and Nat King Cole recordings which, while perfectly pleasant, soon started to pall slightly after so many Christmases. I was just beginning to think that nobody recorded any Christmas standards prior to 1940 and was despairing of finding anything to supplement my existing collection of songs when I came across a 2CD set a couple of years ago (now sadly out of print - or whatever CDs are when they're no longer available) called A Vintage Christmas Cracker: 47 Original Mono Recordings 1915-1949. The title says it all really - a wonderful selection of traditional carols and classic Yuletide favourites recorded by some long-forgotten performers of the first half of the Twentieth century. It's the perfect accompaniment to the more usual songs of the season and just what I was after. Below are some of the highlights, courtesy of Youtube:

We begin in 1930, with Ray Noble & The New Mayfair Orchestra and their recording of the Savoy Christmas Medley. Despite this being a popular selection with many of the dance bands of the '30s, it's difficult to find now. In fact I couldn't actually find the version on the CD, so this is the original Debroy Somers and his Savoy Orchestra cut from the previous year:



Was there ever a more distinctive voice than that of Paul Robeson? He's long been a favourite in our family and this traditional spiritual was recorded by him in great style on the 16th December 1931 in London:



Now a special treat for you all. This next tune is apparently the first ever recording made of Santa Claus Is Coming To Town. This is Harry Reser & his Orchestra, with vocalist Tom Stacks, recorded in New York on the 24th October 1934:


Winter Wonderland now, but not one of the more well-known versions by the likes of Dean Martin, The Andrews Sisters or Perry Como. This is British bandleader Lew Stone & his Band with vocalist Alan Kane, recorded in London on the 28th December 1934. For my money this is one of the best versions of this perennial favourite:



The next two tunes are both by the BBC Dance Orchestra under the direction of Henry Hall and were cut just over a year apart. The Santa Claus Express features vocals by Dan Donovan (and chorus) and was recorded in London on the 23rd October 1935; The Fairy On The Christmas Tree with vocal trio The Three Sisters on the 29th November 1936. Both are archetypal 1930s Christmas songs and highly enjoyable:





On the same day that Henry Hall was recording The Fairy On The Christmas Tree in London, Fats Waller and his Rhythm were busy recording Swingin' Them Jingle Bells in Chicago. No video for this one, but the typically jazzy Waller recording can be heard here.

I mentioned that I have a Christmas CD by the current Glenn Miller Orchestra but the only Christmas song Glenn and his band ever recorded themselves was Jingle Bells, in New York on the 20th October 1941. Tex Beneke, Ernie Carceres and The Modernaires sing the vocals:



No Christmas record would be complete without at least one recording by the great Bing Crosby, and this CD set has several. Three of my favourites follow - Silent Night, Holy Night recorded in Los Angeles on the 8th June (that must have been weird!) 1942, Santa Claus Is Coming To Town recorded with The Andrews Sisters on the 30th September 1943 and I'll Be Home For Christmas recorded on the 11th October 1943:







Finally, we end with Fred Waring & His Pennsylvanians, who recorded this in L.A during December of 1944, especially for the American Forces. Two years previously Waring's version of this 19th Century poem A Visit from St Nicholas became his first and only million-seller:



Well, that's a sample of the music I shall be singing and swinging to in the run-up to Christmas; I hope you enjoy it as much as I do. I shall undoubtedly post again before the 25th, but whatever you're up to in the next three weeks I hope you have fun doing it to a festive soundtrack.