Reaching for Someone and Not Finding Anyone There

First of all, a thousand apologies for the two months of radio silence as I rather let things go here at Eclectic Ephemera.  Rest assured I am alive and well, but unfortunately finding many distractions that conspire to keep me away from blogging as often as I would like.  I've always felt it to be an awful cop-out to blame a full-time job for stopping me from writing a blog, since I know so many of my favourite fellow vintage bloggers also have regular paid employment and that doesn't stop them from posting once a week!  But alas I do find myself with less time to spare at the weekends now my weekdays are once again taken up by honest toil - having had every day to myself for so long (albeit enforced through ill-health) it's come as a bit of shock to have to condense all that I would do in a week into the two days of the weekend!  Still, I must have done it before so I'm sure it'll become normal to me again soon.

In the meantime my new plan is to do one post as-and-when (note the deliberate vagueness!), covering two or three vintage-related news articles and/or anything of similar interest that may have happened in my life recently (highly unlikely, that!). Now, let's see if I can remember how to do this...



I picked this tune for a few reasons, not least because it's so toe-tappingly good!  The title somewhat reflects this place for the last couple of months too (!), but it's mainly because I've recently been on something of an early Bing Crosby kick.  For, yes, it is perhaps somewhat little known (and sadly so too) that on a lot of the classic 1920s jazz numbers featuring the noted (and tragic) cornetist Bix Beiderbecke recorded with Paul Whiteman (among others) the vocal accompaniment is performed by none other than a young Bing Crosby.  Often appearing as part of a trio known as "The Rhythm Boys" the twenty-something Bing was soon spotted as an emerging talent and by the beginning of the 1930s was singing solo more often than not, as he started down the path towards greatness.

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Bing Crosby with Al Rinker and Harry Barris
as "The Rhythm Boys"

I now have three CDs chronicling these early years of Bing's career - Bix 'n' Bing with The Paul Whiteman Orchestra and The Earliest Bing Crosby Volumes 1 & 2 - and all of them absolute crackers (but not always easy to get hold of - Amazon Marketplace is your friend!).  It's fascinating to hear the genesis of Bing's inimitable voice, particularly in its early stages, in the somewhat unusual setting of 1920s jazz.  It's hard to pick a favourite song, but this is one of the stand-outs in my opinion.  If you're a fan of the 1990s Jeeves & Wooster TV series with Stephen Fry and Hugh Laurie (and let's be honest, if you're reading this you probably are) you'll recognise more than a couple of tunes.  To complete the Bing-fest I also ended up getting a box set of his films as well!

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Oh, and in other news I'm off to Eastbourne in Sussex the week after next (17th) for one week as a birthday treat - my first real holiday in ten years (which is why I'm playing it safe with the south coast)!  I understand the area in and around Eastbourne is something of a vintage hotspot, so I'm hoping for some retro fun, frivolity and maybe a vintage find or two!  Any tips on places to visit, hidden gems etc., please let me know (the De La Warr Pavillion is on the list, I need hardly say)!

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Well, I was going to go on to summarise two or three interesting vintage news stories from the last couple of months but looking back at this post I think I've said enough about me (oh, the vanity!) to be going on with for now, so as with all good things (oh, the vanity again!) I'll leave you wanting more (I hope!).

Speaking of good things, let me just end by asking how many of my UK-based readers have been watching and enjoying the B.B.C.'s new adaptation of Agatha Christie's Partner's In Crime stories, starring David Walliams and Jessica Raine as Tommy and Tuppence Beresford?  I was highly sceptical when the series was first announced, since I can't stand Walliams in anything else he's had a hand in and I wasn't too sure about the updated suburban 1950s setting.  I must admit now to having not yet read any of the original books (set at first in the 1920s but unusually for Christie actually progressing in real time, ending in the 1970s with the protagonists in their seventies) so had based my whole outlook on the early 1980s ITV series.  However I will admit I was pleasantly surprised - this is a rip-roaring little series; David Walliams can actually act, Jessica Raine is as lovely as ever and the plot and setting work well (not to mention the outfits - I bet you girls are having a field day!).  I'm looking forward to tomorrow's episode as I type.

Christmas is coming!

Today is the 1st of December and that can only mean one thing - Christmas is just around the corner! I try to make it a general rule to avoid Christmas as much as possible before the actual month itself, which is practically impossible outside my own four walls as it's usually prevalent in shops from the about the middle of September. It seems to me that in these more austere times things have been rather low-key up until now compared to previous years, though. I shan't be putting up any decorations for another week yet - I know Advent was last Sunday but my parents always used to operate a "two weeks either side of Christmas Day" policy and I continue to follow that tradition. However I feel more than happy to start playing Christmas songs now, and have dug out my CDs and stuck them on the iPod.

For years all my Christmas music consisted of was mainly modern interpretations of classic tunes, such as by the new Glenn Miller Orchestra. The furthest any of my CDs went back to was 1950s Dean Martin and Nat King Cole recordings which, while perfectly pleasant, soon started to pall slightly after so many Christmases. I was just beginning to think that nobody recorded any Christmas standards prior to 1940 and was despairing of finding anything to supplement my existing collection of songs when I came across a 2CD set a couple of years ago (now sadly out of print - or whatever CDs are when they're no longer available) called A Vintage Christmas Cracker: 47 Original Mono Recordings 1915-1949. The title says it all really - a wonderful selection of traditional carols and classic Yuletide favourites recorded by some long-forgotten performers of the first half of the Twentieth century. It's the perfect accompaniment to the more usual songs of the season and just what I was after. Below are some of the highlights, courtesy of Youtube:

We begin in 1930, with Ray Noble & The New Mayfair Orchestra and their recording of the Savoy Christmas Medley. Despite this being a popular selection with many of the dance bands of the '30s, it's difficult to find now. In fact I couldn't actually find the version on the CD, so this is the original Debroy Somers and his Savoy Orchestra cut from the previous year:



Was there ever a more distinctive voice than that of Paul Robeson? He's long been a favourite in our family and this traditional spiritual was recorded by him in great style on the 16th December 1931 in London:



Now a special treat for you all. This next tune is apparently the first ever recording made of Santa Claus Is Coming To Town. This is Harry Reser & his Orchestra, with vocalist Tom Stacks, recorded in New York on the 24th October 1934:


Winter Wonderland now, but not one of the more well-known versions by the likes of Dean Martin, The Andrews Sisters or Perry Como. This is British bandleader Lew Stone & his Band with vocalist Alan Kane, recorded in London on the 28th December 1934. For my money this is one of the best versions of this perennial favourite:



The next two tunes are both by the BBC Dance Orchestra under the direction of Henry Hall and were cut just over a year apart. The Santa Claus Express features vocals by Dan Donovan (and chorus) and was recorded in London on the 23rd October 1935; The Fairy On The Christmas Tree with vocal trio The Three Sisters on the 29th November 1936. Both are archetypal 1930s Christmas songs and highly enjoyable:





On the same day that Henry Hall was recording The Fairy On The Christmas Tree in London, Fats Waller and his Rhythm were busy recording Swingin' Them Jingle Bells in Chicago. No video for this one, but the typically jazzy Waller recording can be heard here.

I mentioned that I have a Christmas CD by the current Glenn Miller Orchestra but the only Christmas song Glenn and his band ever recorded themselves was Jingle Bells, in New York on the 20th October 1941. Tex Beneke, Ernie Carceres and The Modernaires sing the vocals:



No Christmas record would be complete without at least one recording by the great Bing Crosby, and this CD set has several. Three of my favourites follow - Silent Night, Holy Night recorded in Los Angeles on the 8th June (that must have been weird!) 1942, Santa Claus Is Coming To Town recorded with The Andrews Sisters on the 30th September 1943 and I'll Be Home For Christmas recorded on the 11th October 1943:







Finally, we end with Fred Waring & His Pennsylvanians, who recorded this in L.A during December of 1944, especially for the American Forces. Two years previously Waring's version of this 19th Century poem A Visit from St Nicholas became his first and only million-seller:



Well, that's a sample of the music I shall be singing and swinging to in the run-up to Christmas; I hope you enjoy it as much as I do. I shall undoubtedly post again before the 25th, but whatever you're up to in the next three weeks I hope you have fun doing it to a festive soundtrack.