Friday, 2 March 2012

1929 Bentley 4½ Litre Supercharged set to be the most expensive Bentley ever

Image courtesy of Supercars.net
1929 Bentley 4½ Litre Supercharged set to be the most expensive Bentley ever

One of the cars driven by a true hero of mine (and not just as a racing driver) is due to go to auction at Goodwood during the Festival Of Speed in June, according to these reports.

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Sir Henry 'Tim' Birkin was one of the famous "Bentley Boys" who drove during the golden age of motor racing and which included such daredevil sophisticates as South African diamond magnate 'Woolf' Barnato, record-breaking aviator Glen Kidston and pearl-collector Bernard Rubin among many others.  The life stories of all these men would fill many books, but it is Birkin on whom I shall focus the attention of this post.

Twice winner of the Le Mans 24 Hours endurance race, first in 1929 and again in 1931, Birkin's name has remained inexorably linked to Bentley Motors.  His racing escapades are the stuff of legend and if you can track down his autobiography Full Throttle I heartily recommend you read it.

A 1948 edition, the spread otherwise identical to my '34 edition
(I was fortunate enough about 10 years ago to obtain a 1950s reprint through an inter-library loan from Maidstone, Kent, after first reading about Birkin in an article from Autocar.  So enthralled was I that I wrote to the journalist asking if he would point me in the direction of a bookshop that might have a copy to buy - it being rare and out of print for many years.  Imagine my surprise when the very next week he used his Autocar column to plead for a copy for me!  A splendid old boy who lived literally around the corner from me responded saying that I could have his 1934 fourth edition for free and I spent a lovely hour chatting with him about the early years of motorsport and his hobby of marshalling at GPs in the '50s where he saw the likes of Fangio and Moss race.  I will always fondly remember the wonderful concatenation of events that led to my coming in to possession of that book!).  Full Throttle was also made into a 60-minute drama for the B.B.C. in 1995, with Rowan Atkinson as Birkin.  To the best of my knowledge it has never been repeated and although available on DVD is, like the book, almost impossible to track down.  I was extremely fortunate to record the original broadcast and then later transfer it to disc.  

Birkin raced extensively for Bentley at such tracks as Le Mans, Ulster and Brooklands, which is where in 1932 he set a lap record of 137mph in Monoposto - the very car that will be auctioned later this year.  Fiercely patriotic (a fact that readily comes across in his autobiography) Birkin was always keen to push to the limit of his cars and beyond.  W.O. Bentley himself noted that there was "nobody before or since who could tear up a piece of machinery so swiftly and completely as Tim."  However Bentley would go on to say that "he [Tim] was a magnificent driver, absolutely without fear and with an iron determination who - while there was anything left of his car - continued to drive it flat out and with only one end in view."

Birkin (left) with Woolf Barnato
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Outside of racing Birkin was every inch the playboy, living in a Mayfair flat in an area that became known as "Bentley Corner" due to the high density of Bentley drivers living locally.  W.O. Bentley recalled that "he [Tim] lived equally furiously off the track, his fondness for the dramatic and unexpected having surprising and often excruciatingly funny results.  Life was never dull with Tim around, if only because of the abundance and wide variety of his girlfriends."  (Birkin was married once between 1921 and 1927, and had two daughters).  Birkin himself was very self-deprecating and wrote little about himself in his autobiography, stating that "I have very seldom spoken in public; it bores me as much as my audience, I cannot remember what I was going to say, and when I can, forget how to say it; nor is my confusion aided by a stammer.  If this information disappoints my younger readers, if they had pictured me as tall and broad and clear-cut, barking out instructions in a voice like a knife, I am heartily sorry; I am quite small, and I do stammer."  As befitted a man of his social stature, though, he dressed well as can be seen in the few contemporary photographs that exist of him out of overalls.

His characteristic polka dot tie has become known as the "Birkin Spot" and Bentley, keen to cash in on its heritage, continues to offer accessories in this style.  The silk cravat and bow tie, not to mention flying helmet and goggles, are still available from the Bentley Collection but at prices only the likes of Tim could afford.  Of course, if you can stretch to a Bentley and want the authentic Winged B emblem on your clothing then you're probably not going to baulk at the cost but if your steed is more lawnmower than Bentley Blower I can point you to some more affordable equivalents that would still allow you to satisfy the inner Bentley Boy (or Girl).

Spotted silk bow tie, £16 from Darcy Clothing (Navy/White currently unavailable)
The Bentley bow may boast a Petersham adjuster and foulard silk but for my money the examples at Darcy Clothing are the equal of it, and for almost half the price!

John Comfort Classic Polka Dot silk cravat, £20 from Country Clothing
Likewise the official Bentley cravat may have top-quality folded silk and the exclusive Birkin Spot, but this John Comfort Classic from Country Clothing is a decent alternative.

Spotted silk scarf, £24 from Darcy Clothing
In one of his few notes about clothing, Birkin states "I cling to idiosyncrasies of dress, and should not like to drive without my blue and white scarf, or the crash helmet with my old St. Christopher in it, that I have had since 1927."  So it's surprising to see that the Bentley Collection [currently] doesn't include a polka dot scarf.  Luckily, Darcy Clothing does.

Leather flying/driving helmet £56, goggles £54 from Darcy Clothing
Finally, no racing driver would be complete without helmet and goggles.  While you are undoubtedly paying for the brand provenance with those in the Bentley Collection, the ones available at Darcy Clothing look to be no poor relation even at less than half the price.

Will 1929 ‘Birkin’ Bentley Fetch $6 Million at Auction?

Tim Birkin in the single-seat Blower Bentley, Brooklands 1932

As it happens it was the 4½-litre Supercharged Bentley that created something of a rift between Bentley and Birkin.  W.O. was entirely against supercharging his engines, being of the opinion that "to supercharge a Bentley engine was to pervert its design and corrupt its performance" and that it "was against all my engineering principles."  Birkin remained convinced that it was the better way to obtain more power from an engine (as opposed to Bentley's preference which was to increase the displacement).  Birkin struck out on his own and, with racehorse owner and philanthropist Dorothy Paget, co-financed the building of five "Blower" Bentleys before convincing Woolf Barnato (who was by that time Chairman and de facto owner of Bentley Motors) to build a run of 50 in order for the model to be eligible for Le Mans.  Going up against German driver Rudolf Carraciola in the supercharged 7-litre Mercedes SSK the 1930 event has gone down in the annals of racing history as an epic race, with Birkin in one of two Blowers harrying the Mercedes until it retired - at the cost of both his cars - allowing the remaining Speed Six Bentleys to win.

1929-'32 Bentley Poised To Become Most Expensive Bentley Sold at Auction

Image courtesy of Supercars.net
Despite W.O. Bentley's scathing opinion and the fact that it never won a race due to its mechanical fragility, the racing pedigree surrounding this model has led to it becoming the most sought-after and valuable Bentley in the history of the company, of which this particular example may soon become the most expensive ever sold.

Months Before Auction, a 1929 Bentley Strikes an Aristocratic Pose in Midtown

Image couresy of Supercars.net

Like many of his contemporaries, 'Tim' Birkin lived fast and died young.  By 1933 Bentley had been taken over by Rolls-Royce and no longer raced.  Birkin, already practically bankrupt from funding the Blower, was forced to race for Alfa Romeo and later Maserati.  It was while driving the latter at the Tripoli Grand Prix in 1933 that, in a moment of absentmindedness he reached for his cigarette lighter and burnt his arm on the open side exhaust of his car, thinking that he was still in his beloved Bentley.  He played the injury down, to such an extent that it turned septic.  This combined with a flare-up of malaria, which he had first contracted during the First World War when he served with the RFC (RAF) in the Middle East, left him seriously ill and he died in London on the 22nd June 1933 aged thirty-seven.

The Legacy of Sir Tim Birkin.  Taken at Brooklands in 2007 by yours truly

Thankfully the exploits and achievements of Tim and his colleagues are still remembered to this day, thanks in no small part to the continued existence of the cars they drove.  It will be worth every penny of whatever this Bentley ends up going for if it helps to propagate the thrilling escapades of Sir Henry 'Tim' Birkin.

Wednesday, 29 February 2012

The self-proclaimed last barnstormer in the United States



Self-proclaimed last barnstormer in the United States flies Imperial County skies

Last year I blogged about a pair of father and son pilots who had been flying around America in their 1943 Boeing Stearman biplane giving flips to old Air Forces pilots.  At the time I marvelled at the at the extent of the two fliers' travels, the adventuresome nature of their journey and the romanticism of the old barnstormers from the Twenties and Thirties.  Well, here's another magnificent man and his flying machine - and the last "full-time" barnstormer in the United States, apparently!

Unique Vintage Biplane Rides in the Desert Southwest

Whereas the Stearman chaps were on a personal journey across the country, offering flights in their newly-restored aeroplane along the way, this fellow does it for a living!  It's incredible to think that in 2012 America barnstormers still exist to offer flights to members of the public in the same aircraft that were plying the same trade 80 years ago.  Whilst we might now look upon such flights as a vintage attraction, it's worth bearing in mind that even today it will be some passengers' first flight in an aeroplane.  It is truly remarkable - and laudable - that someone is continuing the tradition, a tradition virtually unchanged from the 1920s.

A 1929 New Standard D-25, similar to the one flown by Mike Carpentiero

Once again the idea of flying where one will in a country the size of the United States is a source of wonderment to me, made all the more delightful by the time-honoured method and mode of transportation.  Distances of hundreds, or even thousands, of miles is almost inconceivable to a chap whose own country is barely 600 miles long and the huge expanse of country pilots like Mike Carpentiero fly over needs to be seen to be appreciated.  That he does it in an 82-year-old biplane, stopping at aerodromes along the way to take people up, makes it all the more nostalgic.

Tuesday, 28 February 2012

My two penn'orth

On Sunday I went to my first antiques fair for, I am ashamed to say, three or four years (although that enforced absence was in no small part due to circumstances outside of my control) - the Runnymede Hall Antique & Collectors Fair in Benfleet, Essex.

Picture by Martin Hayhurst ©                                          Pictures of England.com

It was nice to be back amongst some really rather nice vintage bits and bobs, items like classic rotary-dial telephones in varying age and condition, silverware (snuffboxes, cigarette/card cases, lighters etc.) 1930s cigarette cards, but mainly jewellery and china.  The event proved popular with a full car park and a large crowd attending; I spotted one or two vintage guys and gals amongst the throng.

What took me aback, though, and highlighted just how out of touch I have become with antiques fairs were the prices.  The last fair I went was before vintage and retro became fashionable again so prices were on the low side but on Sunday, with a few exceptions, most items started at double figures!  Granted there were quite a few examples of really sought-after names, like Clarice Cliff and Lalique - in fact there was a fair share of high-end stuff on display - but bargains were practically non-existent.  I was not altogether surprised, however, as my natural interest in vintage (and programmes like Antiques Road Trip or Put Your Money Where Your Mouth Is) has meant that I've been aware of the rising price of antiques but to actually see it in the raw was still a bit of a shock.  I've been to a few antiques shops and arcades more recently where the prices have been less eye-popping, so perhaps there's a chance this was an aberration.


As a result I very nearly came away with nothing (which wouldn't have been the end of the world, I only went there for a look 'round and the off-chance of picking something up).  We'd wandered about, myself and my parents with whom I'd met up for the day and who pained me by commenting on practically every other item "we/ your grandparents used to have that, but gave it to the charity shop when we moved" and were getting ready to leave when I had one final rummage through a box of old pennies by the door.  Most were in such bad state that they were little more than scrap but I managed to find two rather unusual ones in good condition.


Dated 1935 and 1936 they consist of a Republic of Ireland 1d. coin and an old penny from the then Union of South Africa, which was still a British dominion at the time.  I've not got many pre-decimal coins from outside the British Isles, so they will be a welcome addition to my collection and for a paltry 20p I couldn't say no.  (Brief investigations on eBay show similar examples starting around the £1 mark, so not bad).  Around 5½ million 1935 Irish pennies were minted so they're by no means ultra-rare; the South African penny I'm less sure about.

Essex Vintage Fair

So that's literally my two penn'orth from my latest antiques fair experience(!).  There's another due to be held on the 1st April which I shall probably head along to as well.  It looks from the flyer as though it may be even bigger and better than Sunday's one; I shall look forward to finding out.

Monday, 27 February 2012

Silence is golden for "The Artist"



I never doubted it for a minute, you know.  The Golden Globes hinted at it, the BAFTAs all but confirmed it and last night The Artist rose to the top of the pile and deservedly won five Oscars™ including Best Picture and Best Actor for Jean Dujardin, becoming the first silent film to win the top prize since Wings at the very first Oscars™ ceremony back in 1929.  Eighty-three years is a long time to wait (as long as 82-year-old Canadian actor Christopher Plummer, who should also be congratulated for his Best Supporting Actor award, which makes him the oldest recipient of one of those little statuettes)!

"The Artist" paints golden picture at Oscars

I don't mean to sound like a cracked record but I make no apologies for singing the praises of The Artist loud and long.  This may well be a once-in-a-lifetime occurrence and it should be made the most of, particularly by those of us interested in vintage and classic films.  Hopefully it will introduce a whole new audience to the wonders of the old black-and-white silents.

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Oscars 2012: The Artist's win reminds us to protect our film heritage

I went and saw it at the cinema again last week, the first time I've seen the same film twice since 1995, and it was as wonderful as the initial viewing.  I may yet see it a third time, although showings at my local picture house are down to two an evening now.  At the risk of repeating myself, it absolutely warrants viewing on a big screen.  I was surprised but pleased to see the auditoria packed on both occasions I attended although it has to be said that my presence undoubtedly lowered the average age of the audience by a good few years(!).  Still it was great to see such popularity and enjoyment, especially in my neck of the woods - be it curiosity or out-and-out appreciation this is one silent film that has the public talking!

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As an aside, I just bought [via download] the wonderful (and award-winning) soundtrack today, so I can now go about my business with a little bit of black-and-white movie magic music as accompaniment.  Although it's dashed difficult to live out a silent film, with all the noise things make!

The release date for the DVD has also just been announced.  Mark the 7th of May in your diaries, as that's when this little gem makes it on to a distinctly un-vintage format!

Thursday, 23 February 2012

Train complaint letter from 1912 recalls 'sparks in face danger'



Train complaint letter from 1912 recalls 'sparks in face danger'

A quaint incident is recalled in this article about a letter of complaint to a railway company one hundred years ago, recently discovered at the National Railway Museum.

We've all likely had cause to complain about our railway service and every other day local and national news seems to feature stories of delay and incident, but this letter reminds us to spare a thought for railway passengers of the late 19th and early 20th Century, when rail travel was sometimes still a rather crude affair.  Right up until the early 1900s some train companies crammed third class passengers into open-top carriages with hard bench seats and the locomotives, as in this particular case, were often basic and open to spit flame and embers onto the more unfortunate travellers.

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By the 1920s the likes of "Gazelle" (above) had - on passenger services at least - given way to the lovely steam locomotives we know and appreciate today, but this remarkable piece of social history shows how hit-and-miss things could be in the years beforehand.  I'm sure the letter will be an excellent edition to the museum's collection.

Saturday, 18 February 2012

Music, Murder and The Mrs Bradley Mysteries

All images courtesy of Fanpop
Like a few of my fellow vintage bloggers I have been thoroughly enjoying the recent re-runs of the [sadly short-lived] B.B.C. series from the late '90s, The Mrs Bradley Mysteries starring Dame Diana Rigg, a few episodes of which have found their way on to B.B.C. Four (Wednesdays, 9p.m.).

Dame Diana plays society divorcée Adela Bradley, an amateur criminologist (with a penchant for the psychological) who is ably assisted by her loyal chauffeur George Moody (Neil Dudgeon).  Both roles are expertly essayed, and supporting cast members include Peter Davison, David Tennant and Meera Syal.  It's a wonderful feast for fans of the 1920s with period cars, fashions, music and scenery galore.  Author Gladys Mitchell's stories have been very well adapted for the screen.

It's only a pity, then, that the series was so under-appreciated - to the extent that it never made it past one series.  The 90-minute pilot and four hour-long episodes are all that exist of this excellent programme.


At the time it was first aired I was not as fully immersed in vintage as I am now, so was not able to appreciate it properly, but with these latest showings I have been able to really enjoy this series.  So much so, in fact, that I've bought the 2-disc DVD set.  Now I can enjoy the adventures of Mrs Bradley to my heart's content!  The B.B.C. broadcasts are available on iPlayer, of course, and the pilot Speedy Death plus the second episode Death at the Opera (which was the one starring David Tennant) are both available on YouTube.



At the same time as my rediscovery of The Mrs Bradley Mysteries I also felt the desire to introduce a little more of 1920s/'30s British bandleader Ambrose & His Orchestra into my daily soundtrack (his version of Happy Days Are Here Again remains one of my top 10 songs) so I set about looking for CDs.  In no short order two (one a double-disc set) have made it into my music collection.



They were both mine - new, from a well-known South American-inspired online trading emporium - for a little less than £5.  The Mrs Bradley DVDs were the same.  So for less than a tenner I have a new pile of Twenties goodness to enjoy.  What always gets me about this sort of thing - and perhaps you've noticed this as well - is that most media related to vintage, as much as it is available at all, is either heinously expensive/ completely unavailable (memories of the aforementioned retailer having books/CDs/DVDs for sale "new and used" starting at ridiculous figures like £50 spring to mind) or dirt cheap like my latest purchases.  It has often been a source of puzzlement to me that such items, which can appear so similar in genre, are only ever rarer than hens' teeth or practically being given away (more of the latter, I say!).  And, of course, it goes without saying that finding such items in your local high street shops is a once-in-a-blue-moon experience, such as when I found a copy of the 1935 version of The 39 Steps in the DVD section of Woolworths for £4.93 (?!) or an Elsie Carlilse CD in my local Sainsburys for 99p.


Oh well, perhaps another mystery for Mrs Bradley to solve, eh?

Monday, 13 February 2012

The award-winning Artist



Silence is golden as The Artist scoops 7 BAFTAs

This is just to acknowledge and congratulate The Artist on its winning seven BAFTA awards in London last night, including Best Film and Best Actor for Jean Dujardin.  They are all thoroughly well-deserved, every one, and all those involved should be justly proud.  The Oscars™ await, I feel sure.

Silent movie The Artist dominates 65th Baftas

If you haven't seen The Artist yet - what's the matter with you?!  Hurry up; it won't be in cinemas for much longer!  The BAFTA buzz and the Oscar™ hype might keep it out there for a little longer, but already showings are starting to lessen.  If you're still unsure, or have been living under a rock for the past two months and don't know what it's all about - here's my review of it from last month.  It deserves, nay needs, to be seen on the big screen so please do so if you can.


The success of The Artsist in the face of such strong opposition this year should be celebrated by the vintage community and shows that the silent film is by no means a dead genre.  In this modern age it is wonderful to see such an old-fashioned film taken to heart so well.  Perhaps it is the lean times we find ourselves in, perhaps it is the beginnings of a rebellion against sensory-assaulting CGI and 3D but whatever it is I am happy to see it celebrated by its peers, and more than glad to be able to say I saw it on the big screen.

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