Thursday, 31 March 2011

The digital generation rediscovers the magic of manual typewriters

source - MRS

The digital generation rediscovers the magic of manual typewriters

From across the Pond comes the first mainstream media coverage of an idea that is slowly gaining popularity across the United States and continental Europe since its introduction by several typewriter collectors - the type-in.  With any luck it may gain a foothold here in Britain too and I for one would certainly be up for it - it sounds like a wizard wheeze!  Sort of like an Internet cafe, only with typewriters.  What's not to like?!



The attraction is not just limited to vintage aficionados such as ourselves, either.  Judging by this particular article the so-called "digital generation" are practically lapping it up as well.  The typewriter shall not go quietly into the night, indeed!  It is more than encouraging to see the popularity of these meetings with young people who are more used to their laptops, mobile telephones and Blackcurrants (or whatever they're called) but who are obviously keen to explore the simple, tactile nature of the manual typewriter and the involvement it demands.  That alone provides a good deal of hope not only for the preservation of typing machines but also the actual enjoyment of using them.

My shamefully poor-condition 1955 production Imperial 66.   I keep promising myself I'll get it reconditioned.  Maybe someday as a birthday or Christmas present to myself.  Although even then I won't be carting it along to any type-ins (unless I've got an actual cart!) because it weighs a ton!

Of course the reaction of some young people, such as the first girl mentioned in the article, is amusing yet also befuddling.  I can still remember the time, a few years ago, when two of my nieces (then aged about 7 and 9) first laid eyes on my typewriter.  Their first question was "What does that do?" and for a moment it left me stuck as I suddenly realised I was being asked to explain something, which was so familiar to me, to two people who had never seen one before.  In the end I struggled to come up with some simplistic explanation along the lines of "it's like a computer, but the words are printed straight on to the paper".  Then, of course, they immediately wanted to try it for themselves!

It incidents like that, and occasions such as these type-ins, which prove that there is still an active interest - and what's more, a growing interest - in the good old manual typewriter and that therefore its future is assured.

Tuesday, 29 March 2011

Britain from the air in times gone by



Britain from the air in times gone by

A splendid series of images from The Daily Telegraph now, which highlights a project currently under way at English Heritage to digitise their extensive collection of pre-war aerial photographs - part of the Aerofilms Collection.

As you will see, these fantastic snap-shots show British landmarks and countryside from a then-new vantage point - with many aspects that today seem somehow familiar and yet at the same time have changed enormously.  In some of them we can see the beginnings of the sprawling urbanisation that is more and more prevalent nowadays and for perhaps the first time we can appreciate on a larger scale just how fresh, open and unspoilt some places once were.  Indeed one of the secondary aims of this Britain From Above project is to observe and compare building expansion and how it affects and has affected the natural surroundings over the decades.

For us it gives us the opportunity to pore over some wonderful vintage pictures, with the promise of yet more to come - 95,000 by 2014! - and think back to those pioneers of flight who instigated the idea and how amazing it must have been for people, like those in the above clip, to fly over places they had only ever seen before from ground level.  These photographs truly did (and do) give a whole new perspective on the British Isles of the 1920s, '30s and '40s.

Saturday, 26 March 2011

"Tit-Bits from all the interesting Books, Periodicals, and Newspapers of the World"; or, Eclectic Ephemera 1929-style!

I mentioned in a previous post that one of the most valued books in my library is a copy of the 1929 Tit-Bits Yearbook - a sort of annual almanac that was published by the Tit-bits periodical - and here it is!


(I had no idea of just what market the Tit-bits magazine was aimed at until I read that Wikipædia link and it made me wonder at how popular journalism has changed over the years.  Personally-speaking I wouldn't read the likes of The Daily Mail or The Sun today but looking back at the contents of this book and also copies of early "tabloids" like The Daily Sketch it's strange to see how tame and yet interesting the contents are compared to now and I can't help thinking about how some innocence and decorum has maybe been lost in the last 80 years.  Or perhaps I'm looking at the whole thing through sepia-tinted glasses and our newspapers and annuals will be seen in the same way by historians in 2091?)

Anyway, I said I'd fashion a few blog posts out of it and I'm a man of my word, so here's the first comprising the section on etiquette.  A lot of it, while perhaps slightly obvious (although maybe only to the likes of us!) could, ideally(!), still hold true today.   Some of it, however, less so.  In any case, I think you'll enjoy it.

ETIQUETTE

Etiquette is not a matter of hard and fast rules, and although we have evolved a number of accepted laws, they can be broken with impunity when common sense demands.  Good manners can be summarized as putting another person's comfort - not only comfort of body but comfort of mind - before your own.  {hear hear!}  If all the writers of etiquette books have told you that you should treat every woman as a duchess, and you meet a dear, homely soul who would think such treatment a practical joke on your part and not good taste, base your conduct on your own good sense.
Here are one or two points which are worth remembering as they may help to make the wheels of social intercourse run smoothly:
  • A gentleman is always introduced to a lady, not the lady to the gentleman.  Single girls are introduced to married women, and young men to older men.
  • When walking with a lady, do not offer her your arm unless it is necessary to help her across a thoroughfare; walking arm in arm is inconvenient to other pedestrians and often results in the lady being brushed and bumped by passers-by.
  • If you meet a lady and wish to speak to her, do not detain her, but walk with her for a short distance in the direction in which she is going, and remember always to walk on the side of the pavement nearest the kerb.  This last applies when walking with two ladies.

When Dancing

The etiquette of the dance hall has changed enormously of late years, and practically every one of the old rules has been scrapped.
It is usual nowadays to take a partner to a public dance and remain in her company the whole evening.  If you do not take a partner, you are, of course, at liberty to ask any member of the opposite sex for the pleasure of a dance, introductions or the good offices of the M.C. being dispensed with nowadays.
If your request is refused - and there is, by the way, no reason to feel snubbed, for the girl may be engaged for the dance, or is feeling tired - do not ask another girl sitting nearby, as to do so would make the first girl feel that you did not care whether you danced with her or not!
After each dance you should escort your partner to her seat, and remain with her for a few seconds, or until her next partner puts in an appearance.
Elaborate steps and "stunts" are permissible if your partner can do them, and providing that they do not inconvenience other dancers, but to "show off" in any circumstances is very bad form.
When the interval dance is over, and you have no appointment for refreshments with another partner, you should ask your partner if you can take her to the refreshment-room.  If she has a party of friends present - and few girls go to dances alone - she will probably decline your invitation, but she will appreciate your kindly thought.
If she does accept, be sure to escort her back to the dance floor when the interval is over.
You should not, if you take a partner with you, ask any one for a dance unless your friend has a partner, or unless she herself asks you to dance with another. 

At Private Dances

At private dances it is not quite the thing to have every dance with the same partner, for, obviously, it is not being sociable, but, if you are asked to bring a friend, you should see that she is not neglected.  You must, of course, reserve the interval dance for her and take her down to supper.
Be sure to ask your hostess for a dance, and, on leaving, do not omit to thank her for your evening's enjoyment.
Do not ask a lady you do not know for a dance, but seek the good offices of a friend or your hostess for an introduction.

Dining out

To most of us our first experience of dining out, whether at a public function or at a private house, is anticipated with dread rather than with pleasure.
The golden rule is:  Don't be nervous.  If you do have the misfortune to make a slip, remember that it will probably pass unnoticed unless you call attention to it by your own embarrassment.
Knives, forks, and spoons are laid in the order in which they are to be used, beginning with those on the "outside", and, as waiters serve wine, and naturally know the correct glasses, these need have no terrors.
If you do not like wine or mineral waters, ask to be served with plain water; this is quite the usual thing, and no one will think you namby-pamby.
You can talk to the guests on either side of you without the formality of introductions.
Men sit on their partner's left hand, and, when going in to dinner, should offer the right arm to the lady they have been asked to escort.
At a public dinner remain by your chair until the chairman sits, and, at a private dinner party, until your hostess is seated.
Do not smoke until your host invites you to do so.
At public functions smoking is generally allowed after the toast of the King has been drunk.

Dress

As to dress, the old rule that full evening dress must be worn when ladies are present has fallen into disuse, except in the case of very formal dinners and balls.
The dinner jacket can be worn at nearly every function where "dress" is required nowadays - at supper dances, informal dinners, public dances, the circle or stalls of the theatre, and so on.
A white wing collar and stiff shirt and black bow and waistcoat are worn with the dinner jacket.  Socks must be black, the handkerchief white linen or lawn, and the shoes patent leather (they should be of the "lace up" variety; "pumps" are very old fashioned).
With the more formal dress or "tail" coat, white waistcoat and bow are worn.
Bows must be hand tied. {quite right!}
For business wear, "morning dress", i.e. black jacket and vest and striped cashmere trousers are strictly correct, but none of us wish to appear at the office in the same uniform garments year in and year out, and so a lounge suit is worn by way of variation.
There are, however, one or two little points to watch even in less formal dressing:  Do not wear a soft collar with morning dress, but either a wing collar or a smart double collar, and a neat tie or hand-tied bow.
Black patent leather shoes are quite in keeping.  Brown shoes, in this connection, are right out of the question.
The secret to good dressing is suitability to the occasion on which clothes are worn.  It would, for instance, be obviously silly to wear a bowler hat with white flannels - an exaggerated combination which no one would think of wearing, yet, in smaller points, one sees such incongruities, spats worn with a flannel suit, gloves with a blazer, and so on.

Letter-writing

Letter-writing, simple as it would seem, is beset with pitfalls for the unwary.
The best rule is to say what you mean in the fewest possible words.
Do not use long-winded and grandiloquent phrases which can be better expressed in a couple of words.
The old business houses had a stereotyped beginning for all their letters, "We beg to acknowledge receipt of your esteemed favour."  Nowadays, however, we begin, "Thank you for your letter," which means the same, is quite simple, and saves a lot of time.
Some people imagine that stilted phrases mark them as being business-like, whereas, of course, the unfortunate person who receives the letter has to waste a lot of time unravelling verbal knots.
All business letters can begin "Dear Sir, or Sirs," and end "Yours faithfully".
There is no need to assure any one that you are their obedient servant - they probably would not believe it in any case!
For more intimate correspondence, "Dear So-and-So" is the usual beginning, and "Yours truly" or "Yours sincerely" a suitable ending.

Friday, 25 March 2011

Downton Abbey creator Fellowes to write Titanic TV epic

Downton Abbey creator Fellowes to write Titanic TV epic

Julian Fellowes is rapidly turning into a one-man period drama powerhouse.  Not content with giving us the really rather good Downton Abbey (not to mention Gosford Park, Vanity Fair and The Young Victoria) it seems that he is now turning his attention to one of the greatest dramas of the Edwardian period - the sinking of the Titanic.

I think it can go without saying that we are in for a treat, one of fantastic costumes and fashion ideas - not to mention intrigue and action spread over 6 episodes.  Some big names look to be involved and it will be a timely reminder and commemoration of the centenary of the disaster.

Mr Fellowes seems to have the Midas touch when it comes to this sort of programme so I'm sure I will not be alone in anticipating this quite highly.  The story of the Titanic is an enduring one and in 2012 it will have been fifteen years (!) since the James Cameron film, so what with that, the 100th anniversary and Mr Fellowes' recent successes this series could indeed well be "the must-see original drama", as ITV put it.

Twittering on



You may notice at the end of this and, now, all other blog posts the presence of a "share" button with a few options to pick from to aid in the dissemination of my writings.  (Although quite why anyone would choose to forward on my ramblings is beyond me!).

The omission of this function was kindly brought to my attention by the Idle Historian in my previous post and it struck me as odd, as I was sure I had the facility enabled.  After a quick rummage around in the æther, I've managed to reactive said button (I think Blogger and its templates were to blame, or something; anyway, it wouldn't have happened with a typewriter!) so if you're on the likes of Twitter or Farcebook it should now be easier for you pass on anything you see here, if you so wish.  Personally I'm involved in neither of those places; it's enough that I've got this blog what with my Ludditism!  Still, it gives me the opportunity to include the above little ditty, ably helped along by Mr Bertie Wooster, which I feel could easily be applied to a certain modern-day social network...

Thursday, 24 March 2011

The Dandy Libraryman

I've been out and about all over the place today, back and forth, hither and yon on various un-vintage errands, but this afternoon I stopped off at my local library to pick up a book I had reserved.

This was the biography of 1930s racing driver and land speed record holder Sir Malcolm Campbell (left), Malcolm Campbell: The Man as I Knew Him, which was written by his widow Lady Dorothy Campbell shortly after he died.  It looks to be a fascinating read and if it is anything like the autobiography of his contemporary racing colleague Sir Henry 'Tim' Birkin, of which I own a 1935 copy, I'm sure it will be.

While I was there I of course browsed the sale shelves but there seemed to be nothing particularly interesting and I was about to turn to go when I saw, in the corner of the bottom shelf surrounded by audiobooks and large hardback novels, a book entitled Beau Brummell: The Ultimate Dandy.  It looked like the fiction books either side of it but closer inspection revealed it to be a biography of the great man by actor/writer Ian Kelly who played the starring role on stage and in the 2006 B.B.C. adaptation Beau Brummell: This Charming Man, which I'm sorry to say I never saw - so that's something to seek out, once I've read the book!.  It might take me a while though as it's a 500-page life-to-death analysis of the man and the period (which is a little outside my sphere of interest really, but for The Ultimate Dandy I'll make an exception!), but I'm looking forward to it and at the moment I've certainly got the time!

source
This hefty, almost as-new tome, which was only published in 2005 and would have set you back £20 in a bookshop, was mine for the princely sum of 25p.  Twenty-five pence!  (In fact it should have been 50p, but the librarian made the same mistake as I initially did and thought it was fiction, and I didn't like to correct her!).  BARGAIN!!

This brings me to the real point of my post - here is a book barely 6 years old, which cost a not inconsiderable sum and it ends up in the sale section for next to nothing in next to no time.  What's more, the Campbell biography had to come from one of the main county library's "stack" (library-speak for the storage room, I think).  I've borrowed a couple of books from the same source over the last few years (another being the autobiography of eccentric British Army officer Lt. Col. A.D. Wintle, which only I seem to withdraw these days!) and it always saddens me that such fascinating books rarely see the light of day or are sold off by the library so quickly (although for 25p from £20 I suppose I shouldn't complain about the latter!) without being fully appreciated by the reading public.  Of course I imagine its all a matter of taste and interest (not to mention demographics - books about 18th Century dandies and 1930s racing drivers/army officers probably aren't in much demand in my part of deepest darkest Essex!) as well as the changing (and not always for the better) role of the public library, but it still seems a shame to see what people are missing out on.  When I look at the withdrawal history of the Campbell book, for example, I see that since 1961 it has been borrowed roughly once every 10 years!  I wonder what kind of people took the book home with them, what their interest was and what they took from it.  Ah well, I suppose that as long as these books are in stack I'll know where to find them, and at least I appreciate them.  Plus it frees up my bookshelf for more cut-price books!

Wednesday, 23 March 2011

Victorian railway hotel restored in King's Cross

Victorian railway hotel restored in King's Cross

Just as I bemoan the lack of vintage-y things to blog about, along comes a glut of stories and suddenly I have some more ideas for posts.

To start with is this splendid news about the reopening of the former Midland Grand Hotel that forms part of the new St Pancras International railway station, which itself underwent a massive restoration a few years ago and is a wonderful British success story, managing to retain its Victorian grandeur and history while at the same time serving the modern traveller and adding the futuristic HS1 Eurostar trains to its stable.

The Midland Grand, now renamed the St Pancras Renaissance Hotel, has only just finished being renovated and - as this report indicates - is ready for opening (which will officially take place in April).  A great deal of time and money has gone into returning the place to its former glory and its certainly been worth it!  The interior is simply stunning and, like the rest of the redevelopment, successfully mixes old and new styles to provide the last word in comfort for the weary (and well-heeled) traveller.

It's a shock to realise just how far Dr Beeching was prepared to take his cuts and what a deplorable attitude there was towards Victorian architecture in the 1960s, amid the vogue for Brutalism and Modernism.  To even have considered demolishing such a beautiful building seems like anathema to us today as we have, I think, come to appreciate our architectural history.  Many 19th Century buildings were lost during the height of Sixties Mondernism, but thankfully the Midland Grand was spared destruction and will now enjoy a new lease of life as it sits adjacent to St Pancras International, for us all to enjoy looking at.

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