Showing posts with label Le Mans. Show all posts
Showing posts with label Le Mans. Show all posts

Sunday, 19 April 2015

Aston Martin LM19 Ulster car to be auctioned

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Aston Martin LM19 Ulster car to be auctioned

Back in June 2014 - although it doesn't seem that long ago! - I wrote a blog post about two of our favourite [fictional] chaps and the cars that link them together (on film at least): Bertie Wooster's Aston Martin and Captain Hastings' Lagonda.

I thoroughly enjoyed penning that post, as pre-war Astons and Lagondas rank among my top motors and its always a pleasure to see them appear on screen in the hands of two top chaps.  I'm delighted therefore to get another chance to shine a light on a 1930s Aston Martin, with a very special example due to go under the hammer at the Goodwood Festival of Speed in June.

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The Aston Martin LM Ulster was based on the 1928 1½-litre International model (as used by Bertie Wooster in the 1990s Granada TV series) and designed by Aston Martin's co-owner at the time, Italian-born engineer A.C. "Bert" Bertelli, with the sole aim of racing in the famous Le Mans endurance (hence the LM moniker) race.  LM1 and LM2 were promptly entered in to the 1928 event but in the end neither car made it to the finish.  In the following years Aston Martin continued to refine the LM-series - producing a total of 21 such models - with success finally coming in the 1933 race when one car finished top of its class and the other in fifth place, the company's best result at the time.

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As well as Le Mans, the LM Astons also competed at myriad other endurance races around Europe and this included the Ards TT (Tourist Trophy), a 400-mile race around the streets of Dundonald, Newtownards and Comber in County Down, Northern Ireland.  It was first run in 1928, proving ideal for Aston Martin to do some more on-the-job testing of its new LM cars, and in 1934 they had their greatest success at the Ards circuit - whereupon the "Ulster" suffix was added to the model name.

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Now one of the few remaining Aston Martin LM Ulsters is due to come up for sale at the Goodwood Festival of Speed in June.  This particular example - LM19 - was one of the three at the 1935 Le Mans (where it held the class lead for a time before crashing out after 9 hours; sister car LM20 would go on to finish in third place) and would go on to race in the Ards TT and Mille Miglia in the same year - making it a rare entrant in all three "blue riband" race events of the era.  A year later it was driven in the 1936 French Grand Prix by famous British racing driver Dick Seaman and, quite amazingly, has been raced in one event or another every year since (excluding 1939-45) with its last appearance on track at a Vintage Sports Car Club race meeting in April 2014.  With such a sporting pedigree as that it is perhaps not surprising that this car, widely regarded as one of the best examples of pre-war British sports car production (and by Bertelli himself as "the best car[s] I ever built"), is expected to beat the record for the highest price ever paid for a pre-war Aston Martin (which was set at last year's Goodwood Fos auction when another LM went for over £1.4million - in turn beating the £1.3million paid for another Ulster in 2013) with an estimate of between £1,600,000 and £2,000,000.  I doubt even Bertie Wooster could afford that!

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Although the B.B.C. article suggests that the new owner (whoever s/he may be) won't race this rare and valuable car I'd like to think that they would enter it in a few events at the VSCC, Goodwood and the like, where those of us with petrol in our veins and a love of vintage motor cars can see this beautiful and historic machine doing what it was designed to do while providing a thrilling and emotive link to the heyday of pre-war motor-racing.  Let's come back in June and see what it went for, eh?

Thursday, 9 August 2012

Jean Bugatti's final car completed 73 years after his death

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Jean Bugatti's final car completed 73 years after his death

Bugattis seem to feature rather a lot on this blog (as well they should, being amongst the finest of classic - and modern - motor cars as well of one of my favourite marques) usually, it has to be said, in various states of disrepair.  The one in this story is no different, in fact it never even made it to completion - until now.

Jean Bugatti with his own personal 1932 Type 41 Royale

The design was the brainchild of Jean Bugatti, eldest son of company founder Ettore Bugatti and with whom he worked as de facto designer throughout the 1930s.  One of the company's most famous models, the gargantuan 1932 Type 41 Royale, was largely the work of young 23-year old Jean.

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1936 Bugatti Type 57S Atalante

By 1939 Jean was completely established in the design department and had produced what are arguably still some of Bugatti's best - and the world's most beautiful - cars, including the 1936 Type 57S Atalante (one of which was found in original condition, unseen for 50 years, in a garage in Newcastle back in 2008).

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1936 Type 57G 'Tank'

Again in 1936 Bugatti produced the remarkable Type 57G 'Tank' racer, which went on to have great success in various Grands Prix (including winning that year's French GP at Montlhéry) and later at the 24 Hours of Le Mans, which it comprehensively won in 1937.  Come 1939 and Jean Bugatti had started on a redesign of the 57G for the Le Mans race of that year, dubbed the Type 57C 'Tank'.  It once again came first in what was the final Le Mans before the Second World War and Bugatti were riding high and looking to the future with the Type 64 Coupé prototype and some more advanced drawings by Jean Bugatti based on that design.

Jean Bugatti 1909-1939
Sadly Jean Bugatti would never see these new designs realised.  On the 11th of August 1939 he took the Type 57C 'Tank' on a post-race test (following its Le Mans win) on the supposedly closed factory test route that ran close to the French village of Duppigheim.  Unfortunately a drunk cyclist had managed to find his way through a gap in some fencing and so on to the road.  In his effort to avoid hitting the man Jean Bugatti's car left the road and struck a tree, killing him instantly.  He was 30 years old.

Following this tragedy and with war only weeks away, what was left of Bugatti's design department closed down and attention was directed elsewhere.  Now, 73 years later, the Mullin Automotive Museum in Oxnard, California has used the last design drawings left by Jean Bugatti shortly before he died to create a one-off, brand-new bodyshell.  Made using the same techniques Bugatti would have used to hand-build bodywork in the Thirties, this evolution of the Type 64 is on the verge of becoming a unique vehicle - a "new", never-before-seen 1939 Bugatti.

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One of only two 1939 Bugatti Type 64 chassis, of a total of 3 produced

The Mullin Museum have been able to use one of only three original Type 64 chassis on which to mount the new bodyshell and the "virtually complete" car will be shown at a local event on the 17th August.  As a truly one-of-a-kind car it is, as its creators have said, a perfectly fitting tribute to Jean Bugatti and a valuable addition to the historic Bugatti catalogue.  It is an incredible and totally laudable undertaking and I for one can't wait to see the pictures of it on the 17th - I'm sure it will be worth the 73-year wait.

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The single example of a bodied 1939 Type 64 Coupé

Friday, 2 March 2012

1929 Bentley 4½ Litre Supercharged set to be the most expensive Bentley ever

Image courtesy of Supercars.net
1929 Bentley 4½ Litre Supercharged set to be the most expensive Bentley ever

One of the cars driven by a true hero of mine (and not just as a racing driver) is due to go to auction at Goodwood during the Festival Of Speed in June, according to these reports.

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Sir Henry 'Tim' Birkin was one of the famous "Bentley Boys" who drove during the golden age of motor racing and which included such daredevil sophisticates as South African diamond magnate 'Woolf' Barnato, record-breaking aviator Glen Kidston and pearl-collector Bernard Rubin among many others.  The life stories of all these men would fill many books, but it is Birkin on whom I shall focus the attention of this post.

Twice winner of the Le Mans 24 Hours endurance race, first in 1929 and again in 1931, Birkin's name has remained inexorably linked to Bentley Motors.  His racing escapades are the stuff of legend and if you can track down his autobiography Full Throttle I heartily recommend you read it.

A 1948 edition, the spread otherwise identical to my '34 edition
(I was fortunate enough about 10 years ago to obtain a 1950s reprint through an inter-library loan from Maidstone, Kent, after first reading about Birkin in an article from Autocar.  So enthralled was I that I wrote to the journalist asking if he would point me in the direction of a bookshop that might have a copy to buy - it being rare and out of print for many years.  Imagine my surprise when the very next week he used his Autocar column to plead for a copy for me!  A splendid old boy who lived literally around the corner from me responded saying that I could have his 1934 fourth edition for free and I spent a lovely hour chatting with him about the early years of motorsport and his hobby of marshalling at GPs in the '50s where he saw the likes of Fangio and Moss race.  I will always fondly remember the wonderful concatenation of events that led to my coming in to possession of that book!).  Full Throttle was also made into a 60-minute drama for the B.B.C. in 1995, with Rowan Atkinson as Birkin.  To the best of my knowledge it has never been repeated and although available on DVD is, like the book, almost impossible to track down.  I was extremely fortunate to record the original broadcast and then later transfer it to disc.  

Birkin raced extensively for Bentley at such tracks as Le Mans, Ulster and Brooklands, which is where in 1932 he set a lap record of 137mph in Monoposto - the very car that will be auctioned later this year.  Fiercely patriotic (a fact that readily comes across in his autobiography) Birkin was always keen to push to the limit of his cars and beyond.  W.O. Bentley himself noted that there was "nobody before or since who could tear up a piece of machinery so swiftly and completely as Tim."  However Bentley would go on to say that "he [Tim] was a magnificent driver, absolutely without fear and with an iron determination who - while there was anything left of his car - continued to drive it flat out and with only one end in view."

Birkin (left) with Woolf Barnato
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Outside of racing Birkin was every inch the playboy, living in a Mayfair flat in an area that became known as "Bentley Corner" due to the high density of Bentley drivers living locally.  W.O. Bentley recalled that "he [Tim] lived equally furiously off the track, his fondness for the dramatic and unexpected having surprising and often excruciatingly funny results.  Life was never dull with Tim around, if only because of the abundance and wide variety of his girlfriends."  (Birkin was married once between 1921 and 1927, and had two daughters).  Birkin himself was very self-deprecating and wrote little about himself in his autobiography, stating that "I have very seldom spoken in public; it bores me as much as my audience, I cannot remember what I was going to say, and when I can, forget how to say it; nor is my confusion aided by a stammer.  If this information disappoints my younger readers, if they had pictured me as tall and broad and clear-cut, barking out instructions in a voice like a knife, I am heartily sorry; I am quite small, and I do stammer."  As befitted a man of his social stature, though, he dressed well as can be seen in the few contemporary photographs that exist of him out of overalls.

His characteristic polka dot tie has become known as the "Birkin Spot" and Bentley, keen to cash in on its heritage, continues to offer accessories in this style.  The silk cravat and bow tie, not to mention flying helmet and goggles, are still available from the Bentley Collection but at prices only the likes of Tim could afford.  Of course, if you can stretch to a Bentley and want the authentic Winged B emblem on your clothing then you're probably not going to baulk at the cost but if your steed is more lawnmower than Bentley Blower I can point you to some more affordable equivalents that would still allow you to satisfy the inner Bentley Boy (or Girl).

Spotted silk bow tie, £16 from Darcy Clothing (Navy/White currently unavailable)
The Bentley bow may boast a Petersham adjuster and foulard silk but for my money the examples at Darcy Clothing are the equal of it, and for almost half the price!

John Comfort Classic Polka Dot silk cravat, £20 from Country Clothing
Likewise the official Bentley cravat may have top-quality folded silk and the exclusive Birkin Spot, but this John Comfort Classic from Country Clothing is a decent alternative.

Spotted silk scarf, £24 from Darcy Clothing
In one of his few notes about clothing, Birkin states "I cling to idiosyncrasies of dress, and should not like to drive without my blue and white scarf, or the crash helmet with my old St. Christopher in it, that I have had since 1927."  So it's surprising to see that the Bentley Collection [currently] doesn't include a polka dot scarf.  Luckily, Darcy Clothing does.

Leather flying/driving helmet £56, goggles £54 from Darcy Clothing
Finally, no racing driver would be complete without helmet and goggles.  While you are undoubtedly paying for the brand provenance with those in the Bentley Collection, the ones available at Darcy Clothing look to be no poor relation even at less than half the price.

Will 1929 ‘Birkin’ Bentley Fetch $6 Million at Auction?

Tim Birkin in the single-seat Blower Bentley, Brooklands 1932

As it happens it was the 4½-litre Supercharged Bentley that created something of a rift between Bentley and Birkin.  W.O. was entirely against supercharging his engines, being of the opinion that "to supercharge a Bentley engine was to pervert its design and corrupt its performance" and that it "was against all my engineering principles."  Birkin remained convinced that it was the better way to obtain more power from an engine (as opposed to Bentley's preference which was to increase the displacement).  Birkin struck out on his own and, with racehorse owner and philanthropist Dorothy Paget, co-financed the building of five "Blower" Bentleys before convincing Woolf Barnato (who was by that time Chairman and de facto owner of Bentley Motors) to build a run of 50 in order for the model to be eligible for Le Mans.  Going up against German driver Rudolf Carraciola in the supercharged 7-litre Mercedes SSK the 1930 event has gone down in the annals of racing history as an epic race, with Birkin in one of two Blowers harrying the Mercedes until it retired - at the cost of both his cars - allowing the remaining Speed Six Bentleys to win.

1929-'32 Bentley Poised To Become Most Expensive Bentley Sold at Auction

Image courtesy of Supercars.net
Despite W.O. Bentley's scathing opinion and the fact that it never won a race due to its mechanical fragility, the racing pedigree surrounding this model has led to it becoming the most sought-after and valuable Bentley in the history of the company, of which this particular example may soon become the most expensive ever sold.

Months Before Auction, a 1929 Bentley Strikes an Aristocratic Pose in Midtown

Image couresy of Supercars.net

Like many of his contemporaries, 'Tim' Birkin lived fast and died young.  By 1933 Bentley had been taken over by Rolls-Royce and no longer raced.  Birkin, already practically bankrupt from funding the Blower, was forced to race for Alfa Romeo and later Maserati.  It was while driving the latter at the Tripoli Grand Prix in 1933 that, in a moment of absentmindedness he reached for his cigarette lighter and burnt his arm on the open side exhaust of his car, thinking that he was still in his beloved Bentley.  He played the injury down, to such an extent that it turned septic.  This combined with a flare-up of malaria, which he had first contracted during the First World War when he served with the RFC (RAF) in the Middle East, left him seriously ill and he died in London on the 22nd June 1933 aged thirty-seven.

The Legacy of Sir Tim Birkin.  Taken at Brooklands in 2007 by yours truly

Thankfully the exploits and achievements of Tim and his colleagues are still remembered to this day, thanks in no small part to the continued existence of the cars they drove.  It will be worth every penny of whatever this Bentley ends up going for if it helps to propagate the thrilling escapades of Sir Henry 'Tim' Birkin.

Wednesday, 9 June 2010

Panoz Introduces the Abruzzi at Le Mans

Panoz Introduces the Abruzzi at Le Mans


This is the new Abruzzi "Spirit of Le Mans" sports car from the American company Panoz. As well as being an interesting and newsworthy article in its own right it also allows me to talk about another aspect of it that has rather bothered me. This might turn into a rant, but anyway here goes. If you make it to the end, well done, and thanks for sticking with it.

Since it was unveiled at the La Sarthe circuit yesterday the overwhelming response on other blogs, general car forums and comment pages of the Internet has, as far as I can make out, been almost entirely negative. I seem to be in a minority of one in really liking this car. The main bone of contention appears to be the design, particularly of the front. Now, I appreciate that style, beauty etc. is subjective, that one man's meat is another man's poison and all that. People are free to find things attractive or not as they please, and tell others accordingly. What I dislike, and what appears to be the case in the majority of critiques so far, is the vitriolic fervour in which people have attacked this car, disparaged and dismissed it, without having said why they don't like it.

Let me go on record here: I like the Panoz Abruzzi. There, I said it. Now, however, I am going to do what no-one else seems to have done and qualify that statement.

I really like this car for a number of reasons. First, it is different. It is not your usual run-of-the-mill Porsche, Ferrari or Lamborghini. In this world of dull conglomerates, mediocre products and amorphous designs something as extreme as this should be welcomed and admired as a refreshing break from the norm. Even if I were not taken by the design of this car I would still appreciate it as a unique departure from the supercar template and respect the company for having the courage to make it. It has been my experience that the very fact alone of something being different from what people expect and are used to seeing is excuse enough to condemn it with no further consideration. It is an almost knee-jerk reaction by beigist people who have been brought up to accept the uninspiring designs foisted upon us by faceless corporations.
This leads me on to another point - people seem to have lost that wonderful British trait of supporting the underdog. They have been blinded by the commercial glare of the big, popular brands. The selfish attitude dominates. Nowadays it is all to easy for people to attack the little man, the Davids of this world, to say that it is not worth supporting the smaller concerns, that there is no point and no chance of success. Well I don't agree - I still root for the underdog and I'm proud to defend and cheer on companies like Panoz who wish to plough their own furrow.

Back to the design and to me there is a strong retro-futurist element in the look of this car and even perhaps a hint of Art Deco, which appeals to me greatly. Some of the [slightly] more constructive comments I've read often compare it to the early Batmobiles and to an extent I agree. That is another one of the reasons why I like it so much. It also reminds me of some of the "Cars of the Future" concepts that the big American companies put out in the late 1940s and early 1950s. Except in this case it is no concept but a fully production-ready car, albeit in tiny numbers. In their rush to censure this car many people have also overlooked the technical aspects. The fact that it is made of recyclable material that is nevertheless still as strong and adaptable as carbon fibre, or that that front end goes some way to aiding the remarkable cooling processes employed by this car. Once again people betray their superficial ideals by ignoring these factors and rush into making cheap shots at the car's looks.

Well, that's about all I have to say on that. I think the fact that this has been my longest post so far goes some way to explaining how strongly I feel about this sort of thing and I hope you have found it interesting too, dear reader.

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