Tuesday, 16 October 2012

Back on the buses (back on the blog!)

Some kind of record...
Goodness me!  Over a week since my last post?!  That must be some kind of record!  Not a good one, though, and I apologise again for it.  A concatenation of events, including a rest from my previous monster post (which I hope kept you all asleep entertained during my absence), couple with a distinct lack of blogworthy news and a little thing called "life" intervening conspired to keep me away.

Now I'm back - not from outer space - having recently attended the annual Castle Point Transport Museum Open Day Show in the old home town on Sunday.  A yearly pilgrimage, I can hardly believe it's come round again so soon.

Just as last year I initially feared the worst for the weather, as advance forecasts during the week had predicted rain and barely double-digit temperatures.  Once again, though, the seaside spirits of Canvey Island flexed their muscles and despite a cool wind the sun was high in a cloudless sky as I arrived at 11'o'clock.

1968 Eastern National Bristol Lodekka
(In the picture above you can see all that remains of a set of pre-1953 steps leading down to the sandy beach, which was completely covered by a high tide barely 3ft from the path.  Sometimes the water even makes it over that, as the piles of shingle next to the sea wall testified.)

Into the museum and I must admit one of the first things that I noticed was that the event seemed slightly smaller this year.  Certainly there were fewer stallholders and vehicles inside but I think 2011 was an exceptionally good year display-wise, so anything less would be bound to suffer slightly in comparison.  Even so there were some new faces among the old in the yard area outside:

1950 Bristol L (left) and 1953 GPO Maudsley Mogul MkIIIA

After a scout around the museum to pick up the lay of the land it was off next door - the grounds of my old primary school, in fact - where more goodness awaited me.  One of the first when I walked through the gate was this gorgeous Jaguar, featuring the flowing lines of the imposing Mark IX.  I have only just discovered that this particular car was bought at auction not one year ago, in what was quite a rare opportunity.  The original lot details are still available here.

1961 Jaguar MkIX

Swiftly followed by a beautiful 1928 Alvis 12/50 "Beetleback", one of only 319 left in the world.


A pair of Morris Eights and a later Oxford:

1937 Morris Eight SI
1937 Morris Eight SII
1953 Morris Oxford
1935 Rover 10
1950s Standard Eight
One of the more major attractions for this year was a selection of vintage speedway motorcycles dating from 1929 to 1931.  Although motorbikes are more in father's purview than mine I always appreciate a classic two-wheeler (or three if it has a sidecar!), especially if it is fitted with the wonderful JAP V-twin.  Some of these speedway racers were beautifully restored, others were still in original condition.


I'd like to take a moment to draw your attention to one of the exhibits you can see only part of in this photograph.  GNB 792D - visible in the top left drawing quite a crowd - is a 1966 Beardmore MkVII Paramount taxi, which was one of the last attempts to provide an alternative to the now-traditional London black cab that we know and love today.  It proved to be so popular that unfortunately I could not get a decent picture of it and it had left before the end of the day, so I shall have to keep my eyes open for it at future events.  It was even more of a shame because this recently-restored example was now plying for hire once again, this time in the world of special events, under the name of - Tickety Boo Taxi!  Of course I immediately thought of our own Tupney, travelling about in her very own taxi(!).

It wasn't the only taxi there, either:

1937 Austin 12/4

Once again doing some digging I find that this car also sold recently and moreover has a famous history - it appeared in a Carry On film!  Not any Carry On film either but one of my favourites, 1963's Carry On Cabby.


I was also delighted to see a 1971 Buick Riviera taking up one corner.  At the 2010 event there was a '64 Riv, the version which (not entirely undeservedly) tends to garner the most compliments but for my money the '71 boat-tail model is the more beautiful.  Keeping with the TV and film theme, it also helped that it happened to appear in one of my favourite TV shows of the '90s(!).  My word, it was huge, though - a lot bigger than I thought it would be.  No wonder it used a 7½-litre V8! 



American cars were well represented, as usual:

1946 Chevrolet Fleetline
1950 Ford Sedan
1953 Ford Crestline
1958 Chevrolet Yeoman
As were our attempts to emulate them(!):

1958 Vauxhall Victor Estate

1960 Ford Consul
There were plenty of other traditional British cars in evidence as well:

1930 Morris Cowley
Including my old favourite the 1934 Singer Eleven, once again complete with its period accessories:



1939 Rover 12

1941 Morris Z-Type, the sole example restored to its original GPO livery
1946 Austin Eight
1947 Ford Prefect
1947 Wolseley 14/60 SIII
1950 Ford V8 Pilot
1950 MG Y-type
1953 Ford Popular
1953 Morgan Plus Four Roadster

1950s Austin-Healey Sprite
1954 Austin-Healey 100-4
1959 Ford Popular
1960 Ford Prefect
1969 Marcos 1800
1970 MG Midget
1972 Volvo P1800S

Some microcars (bubble cars) from the 1950s, when the Suez Crisis was at its height, were also on show this year:

Messerschmitt KR200
1960 BMW Isetta

1971 Mercedes W111
Then it was off to the main showground by the seafront, where all the buses were on display.





This (below) was my transport back to the museum after I had had a good look around and a walk along the seafront.  Last year I missed riding on this 1953 Bristol KSW, which has served the local area for all life (having been converted to an open top in 1966 after which it ran the seafront route in Southend and Clacton), as it only arrived late in the afternoon just as I was leaving.  This year it was on much earlier and although I wasn't able to sit on the top deck, which proved to be extremely popular especially with the children, it was a lovely ride back to the museum (and smoother than some modern buses, I might add!).


There was just time for one last tour around the museum, including the model railway room (which I'm sure features some of my old set pieces that I sold to a local chap some years ago):


Plus the depot office, complete with some typewriters for my fellow typosphereans to identify(!):


Imperial 65 wide (VERY wide!) carriage

Despite the smaller number of stalls this year there was still plenty of things of interest to catch the eye.  With money and space being tight at Partington-Plans Towers I plumped for this little model of a 1939 Austin 18 ambulance in Civil Defence Corps colours as my memento for the day.

As I waited at the bus stop for a scheduled service back home, this 1953 AEC Regal IV that had been pressed into passenger-carrying service from the seafront turned up to disgorge more visitors.  I love the arrow-style indicators at the back!


So another annual show has been and gone, and jolly good fun it was too.  I'm sorry for throwing two heavy-going posts at you in succession; rest assured that normal service will resume shortly!  Maybe I'll do a one-line blog next to balance things out(!).  Until next time, all aboard!

Sunday, 7 October 2012

Speed Kings past and present

Well hasn't the last week just flown by; where has the time gone?

On the subject of things that fly by, back in the mists of time when this blog was new and still finding its place in the blogosphere I did a short post about the announcement of a new challenger for the World Land Speed Record.  Since then of course Eclectic Ephemera has evolved into the vintage-centric site it is today, but on Thursday the successful test-firing in Newquay of the proposed 1,000mph Bloodhound SSC's rocket engine captured my imagination all over again and inspired this post - which will look at the past holders of the Land Speed Record from those decades of greatest endeavour, the ones we all know and love:  the 1920s and '30s.

In the early years of the motor car at the turn of the last century the speed record increased dramatically in quite a short space of time rising from the initial 41mph (!) in 1898, to 76mph four years later and then up to a heady 126mph in 1909.  The record was to stay at this level for nearly 16 years until a flurry of new attempts were made.  In a car that has featured in these pages before, Welshman John Parry Thomas drove to 171mph on Pendine Sands in south Wales in 1926.

Henry Segrave
The first car to feature in this post - the Sunbeam 1000hp "Mystery" (nicknamed "The Slug") - was designed and built in direct response, with the aim to exceed the magic 200mph mark.  Its driver was an ex-WW1 pilot and racing driver (and the first Britisher to win a Grand Prix in a British car) - Henry O'Neil de Hane Segrave.  He held the LSR for little over 1 month in 1926 after driving an earlier design to 152mph, before Parry-Thomas bested it.

Specifically designed to achieve the "double ton" the Sunbeam 1000hp set the template for the speed cars that followed it.  Powered by two 22.4-litre Sunbeam V12 aeroplane engines (one in front of the driver and one behind) "The Slug" actually produced nearer 900hp, still more than enough to meet the challenge.  It also featured then-novel streamlined all-encompassing bodywork designed to reduce wind resistance.  The tyres had to be specially designed to withstand the planned 200+mph speed - that must have seemed so unbelievable and untested at the time - but even so were only rated for 3½-minutes of use at top speed.


1,000 H.P CAR



Setting a precedent that would be followed for almost a decade, out of necessity for a course with a long enough run, Segrave took the Sunbeam to Daytona Beach in Florida.  There, on the 29th March 1927, he set a new average Land Speed Record of 203.79mph - at one point recorded travelling as fast as 211mph - thereby becoming the first person (and "The Slug" the first car) to travel at more than 200mph on land.


Two years later, following two successful attempts by Malcolm Campbell and American Ray Keech, the record stood at an only slightly faster 207.55mph.  Keen to reclaim the record for Britain, Segrave commissioned an all-new speed car.  For my money one of the most beautiful vehicles to have held the record, Golden Arrow was developed by ex-Sunbeam designer J. S. Irving.  Powered by a single 23.9-litre Napier Lion W12 aero engine, exactly the same as could be found in the Schneider Trophy-winning racing seaplanes of the time, it had 925hp on tap.  While hardly much more than "The Slug" had, Golden Arrow's almost Art Deco bodywork was made from lightweight aluminium, especially constructed by the famous coachbuilding firm of Thrupp & Maberly.

SPEED KING'S TRIUMPH 231 MILES AN HOUR



Almost 2 years to the day he first went over 200mph, Segrave returned to Daytona beach on the 11th March 1929.  Amazingly he undertook only one test run before going for the record, which he comprehensively smashed with an average speed of 231.45mph, a fantastic feat that helped earn him a knighthood.  Following his run, however, Segrave was witness to a tragically fatal crash involving the American challenger (Lee Bible in the previous record holder, Ray Keech's, Triplex Special) and a photographer.  Vowing never to attempt the Land Speed Record again, Segrave - also an avid speedboat racer - turned his attention to the Water Speed Record.  As a result of this, Golden Arrow was never used again.  It still holds the record for the least-travelled speed car, having covered a mere 18.74 miles. Both it and "The Slug" can be seen today at the National Motor Museum in Beaulieu, Hampshire.

Sadly the Water Speed Record proved to be no safer for Sir Henry Segrave.  He attempted to capture it in his boat Miss England II at Lake Windermere on Friday 13th June 1930, a matter of months after he was accorded his knighthood.  Unfortunately during one run the boat is thought to have hit a log and capsized.  Mechanic Michael "Jack" Willcocks was thrown clear and suffered only a broken arm, but chief engineer Victor Halliwell was killed instantly; Segrave was knocked unconscious and gravely hurt.  He was rescued and brought ashore, regained consciousness for long enough to learn the fate of "his men" - and that he had broken the Water Speed Record thereby becoming the first man to hold both land and water speed records simultaneously - but sadly succumbed to his injuries shortly thereafter.  His name however lives on in the form of the Segrave Trophy.

The name that is perhaps most closely associated with land and water speed records, though, is that of Campbell.  Malcolm Campbell was also an ex-RAF racing driver and first broke the Land Speed Record in 1924 (clocking 150.76mph), at Pendine Sands, in a 350hp V12 Sunbeam racing car - the first of his Blue Birds (now on show at Beaulieu).

At around the same time as Segrave was going for the LSR in 1927 Campbell was readying his own entry, the second Blue Bird.  This too would use the same Napier Lion engine as Segrave's later Golden Arrow, although in an earlier state of tune and putting out barely half the Arrow's power - 500hp to be exact.  It also lacked the aerodynamic bodywork of Segrave's Sunbeam 1000hp, still resembling more the standard race car design of the day.  Despite this it was able to average 174.88mph (on one run going as high as 195mph) on the 4th February 1927, a month before Segrave passed 200mph.

Spurred on by this competition Campbell had Blue Bird II rebuilt for 1928 and managed to get hold of Napier engine in "Sprint" tune - that is, exactly the same as was used in Schneider Trophy seaplanes and as Segrave would fit to Golden Arrow.  This meant around 900hp, almost double the original Bluebird II.  Streamlining and aerodynamics were also applied for the first time, as the bodywork was completely redesigned.  Like Segrave's Sunbeam 1000hp this was undertaken by another famous coachbuilder - Mulliner.  On the 19th February 1928, having followed Segrave's lead and headed to Daytona Beach, Campbell and Blue Bird III hit 206.956mph, just beating Segrave's record.

Following the American Ray Keech and then Segrave's incredible 231mph, Campbell realised a whole new car was required if he was to have any hope of beating the record again.  He enlisted the help of experienced designer Reid Railton, who would go on to have much success developing speed cars for Campbell and others.  Taking inspiration from Segrave, Railton and Campbell fitted bodywork that included a vertical stabilising fin as first seen on Golden Arrow.  To make sure of trumping that car they shoehorned in a supercharged 23.9-litre Napier Lion aero engine, which put out 1,450hp - half as much again as Golden Arrow and twice the power of Blue Bird III.  With this new (and slightly wordy!) Napier-Campbell-Railton Blue Bird Campbell once again returned to Daytona Beach in 1931 (having first unsuccessfully tested a possible alternative site in South Africa) and succeeded in setting a new LSR of 246mph.  A year later he raised it further to over 250mph with the same car on the same course.

WORLD'S SPEED RECORD BROKEN


253.96 MILES PER HOUR!



Another year later, in 1933, and Blue Bird had been rebuilt again.  Externally little changed, but beneath the bodywork sat a new V12 Rolls-Royce R aero engine (the precursor to the Merlin and also used in the newest Schneider seaplanes) with an unbelievable capacity of 33.9 litres and 2,300hp.  This allowed the Campbell-Railton Blue Bird, as it was now known, to easily surpass the existing record and post a new sped of 272mph.  The 300mph mark was getting tantalisingly close.

CAMPBELL SETS NEW SPEED MARK!


SIR MALCOLM CAMPBELL'S TRIUMPH



To achieve the desired 300mph, Campbell and Railton spent two years redesigning Blue Bird again - focussing on the bodywork, which developed into a delightful '30s Modernist streamline, and various mechanical upgrades (including the wheels, which were doubled at the rear for more grip).  In 1935 the updated Blue Bird went first at to 276.82mph at Daytona and, with that course's limit fast being reached, Campbell moved to the Bonneville Salt Flats in Utah - still the home of high speed events today.  There, on the 3rd Septemeber 1935, Campbell was able to squeeze Blue Bird to 301mph.  Having become the first man to travel over 300mph on land, being knighted for his efforts, Campbell went after the Water Speed Record as well and had much success in that arena too.  Unlike some of his contemporaries, Campbell survived to die of natural causes (a series of strokes) aged 63 in 1948.

Campbell would live long enough to see his land speed record broken a further five times by two different men.  Captain George Eyston and John Cobb took up the mantle laid down by Segrave and Campbell earlier in the 1930s.  Eyston was the first to break Cambell's record in 1937 with his monster speed car, Thunderbolt.

CAPTAIN GEORGE EYSTON'S NEW CAR



Thunderbolt was by far and away the most incredible car to hold the LSR between the wars.  In order to go faster than Blue Bird's 301mph Eyston fitted not one supercharged Rolls-Royce R engine, but two.  With each engine 36½ litres and producing 2,350hp, Thunderbolt had 72 litres and 4,700hp on tap(!).  However, it also weighed 7 tons, twice as much as any other speed car.  Nevertheless on the 19th November 1937 Eyston set the record at 312mph and the following year, on the 27th August 1938, improved on it to the tune of 345.5mph.

Much as with Segrave and Campbell Eyston and Cobb competed against each other for the LSR, sometimes at the same event.  Such was the case on the 15th September 1938.  Cobb had worked with Reid Railton to design his entry for the WSR and the result was the gorgeous Railton Special, a lithe streamlined shape that would remain virtually unchanged in the world of the LSR for nearly 30 years. While it used two older supercharged Napier Lion W12 engines rather than the newer Rolls-Royce R engines found in Thunderbolt, its power deficit was made up by the extensive use of lightweight aluminium in the body.

NEW LAND SPEED RECORD



So it was that both cars were at Bonneville in September 1938.  Eyston looked on as Cobb took the Special to 353.3mph.  The next day he promptly jumped in to Thunderbolt and raised the record again to 357.5mph.  Eyston and Thunderbolt held on to the record for almost one year until the 23rd August 1939, only 10 days before the outbreak of the Second World War, Cobb returned to Utah with the Special and became the last pre-war holder of the Land Speed Record, managing 369.7mph.  Eyston never challenged for the record again, although like Campbell he lived well in to old age dying in Lambeth in 1979 at the age of 81.  Sadly Thunderbolt, after being shown in Australia and New Zealand during the war (including at the New Zealand Centennial Exhibition from 1939 to 1940), was destroyed in a warehouse fire.  A surviving spare Napier engine that was used in the car can be seen at the Science Museum, however.

Cobb would return to the Salt Flats one last time in 1947.  The Special was rebuilt with the aid of oil company Mobil, becoming the Railton Mobil Special.  On the 16th of September that year Cobb pushed the record up yet further.  Although on one measured run the Special broke the 400mph barrier (becoming the first land vehicle to do so) the mile-each-way average speed was a frustratingly close 394.19mph.  Even so it would stand for almost 20 years until a new generation of Campbell and Blue Bird - Malcolm's son Donald and Blue Bird CN7 - came along to draw down the curtain on wheel-driven land speed record cars, tipping it over the 400 mark by 3mph.  Cobb would not live to see this as he also died attempting the Water Speed Record, at Loch Ness on the 29th September 1952.  The Railton Mobil Special now resides at the Thinktank museum in Birmingham.
Although the holders of the official Land Speed Record have all since been jet- and/or rocket-propelled there is still something thrilling and affirming about man's attempts to go ever faster [on land].  I can still remember that October day in 1997 when ThrustSSC became the first ground-based vehicle to pass through the sound barrier.  Much is rightly being made about the Bloodhound project's influence on and encouragement of future engineers and the ongoing desire to push the boundaries of man and machine.  In those respects I suspect it is no different from 80-odd years ago.  I can't wait to be thrilled again when Wing Commander Andy Green attempts to better his own record with a frankly astonishing 1,000mph target speed.  Good luck, Team Bloodhound!

Monday, 1 October 2012

Mon-dandy amusement

A couple of weeks ago Jessica over at Chronically Vintage did a post that featured the seemingly highly diverting online tool, the Deluxe Pin Up Maker, producing a pretty caricature of herself.  Then on Friday just gone Porcelina, inspired by the same post, created her own pin-up persona using the same site.

Always quick to spot an emerging trend (!), it occurred to me that there should be something similar for us chaps (and that if there wasn't, there blasted well ought to be!).  As it happens someone did indeed have the same idea for the gentlemen, in the form of the Dandy Maker.  Not wishing to feel left out and with the thought of addressing the balance for the boys, I immediately took it upon myself to create a dandy in... something approaching my own image (within the constraints of the configurator, at any rate).

This is the result:


Hat - check. 
Glasses - close enough.
Features - a damn sight more handsome than in real life.
Collar - should be turned down, of course.  What am I, some sort of scruff?!
Bow tie - quite right.
Waistcoat - aye, although I fancied a contrasting rather than matching blue - he is still a dandy, after all!
Jacket & trousers - spot on.
Shoes - I wish!  Co-respondents/spectators are on the list, of course...
Cane - hand looked a bit unnatural without anything in it, and I don't smoke.  Do have a walking stick, though.

There we have it, then.  It is possible to go overboard with the dandification of the model, something which I will probably spend a few idle minutes doing at some point again in the future, but it's all good fun for the odd quiet moment and quite variable considering the limits imposed.  Thanks to Jessica and Miss P for highlighting this jolly little feature - and who else will create a dandy or a pin-up, I wonder?

Friday, 28 September 2012

A visit from a Nighthawk



Yesterday afternoon I returned from a post-prandial perambulation, sat down at my desk, opened my Inbox and... espied a familiar, yet totally unexpected name therein.  That of Vince Giordano!

"Surely not the Vince Giordano - band leader of The Nighthawks, America's premier Jazz Age musicians of today who are responsible for the live performances heard (and sometimes seen) in film & television productions that we all know and love such as The Cotton Club, The Aviator and most recently Boardwalk Empire (for which he won a Grammy)?!", I thought to myself with barely-suppressed excitement and disbelief, as I racked my brains trying to remember if I had subscribed to a mailing list or something.

source
But no, it was no mailshot, but the man himself!  Reading - praising, even - my insignificant little blog!  I'm still all aflutter just thinking about it.  With kind words Mr Giordano wrote about our shared interest in vintage items, places and of course music - wishing that more people felt the same way too (something I hope I was able to reassure him with in my reply telling of all the fine like-minded folk I have found since I started this blog).  Modestly he thanked me for featuring a link to what was then his Myspace page (in the left-hand column subtitled "Music & the Wireless"), a link that - at his request - I have now updated to point to his new own-domain website vincegiordano.com.

source
Vince Giordano and the Nighthawks have, as mentioned, performed on the soundtracks of some major motion pictures and television series in the last 30 years and Mr Giordano is also well-known in his own country for being an authority on the music of the 1920s and '30s, as well as preserving thousands of gramophone records from the period in his own collection.  He and his band play live - as you can see in the video - every Monday and Tuesday night at Sofia's Restaurant in New York's Times Square (a performance I would certainly not miss were I ever to visit that great city) as well as at festivals throughout the country.  Along with Max Raabe in Germany and the Pasadena Roof Orchestra here in Britain they form a triumvirate of dance and swing bands in the world today.  That he was kind enough to contact me has made my year and further goes to prove the gracious nature of people with an interest in the past.

I am more than happy to have a link to Vince Giordano's website on my blog and hope you all enjoy visiting it and listening to his fabulous recreation of our favourite songs (and featuring in our favourite period shows) as much as I do.  Thank you, Mr Giordano!

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