Tuesday, 19 June 2012

East Texas man recreates 1920s-era Gulf station

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East Texas man recreates 1920s-era Gulf station

To east Texas, United States, now where a splendid old local character has recently been putting the finishing touches to an obvious labour of love - a replica of his town's first petrol station that opened in the 1920s.

A fine-looking building it is too, very reminiscent of those early gas stations that popped up in rural communities across the land during the pioneer years of the motor car - as well it should be considering the time taken and detail gone into by Mr Rogers.  The world needs people like him and it is lovely to see the community appreciating his interest in its history, not to mention his penchant for collecting fascinating historical objects.  His comment about the perceived difference between a collector and a hoarder is funny, and quite true.  I have no doubt that his home is a treasure trove of antique items with a story to tell and that he will continue to add to his collection for as long as he can - good luck to him.

I am sure Mr Rogers will continue to get many years of enjoyment out of his wonderful Gulf station (although from the sound of things he is already looking ahead to his next project, I shouldn't wonder!), and I would hope that the people of New Harmony, TX will also take the place to heart as an important part of the town - both now and for what it represents of the past.  These small rural American towns have very often hardly changed in generations, as is evidenced here by the fact that some residents grandparents and great-grandparents lived in the neighbourhood and the son of the original station's owner was on hand to cut the opening ribbon.

In these days of bright, impersonal forecourts and splash'n'dash refuelling it is nice to, as Mr Rogers puts it, "step back and forget the traffic" - to step back in time, quite literally, and see how the early petrol stations of America looked, thanks to the dedication of one man.  You may not be able to get petrol at New Harmony Gulf Station No. 2, but I'll bet you can get a good feel for the past.

Sunday, 17 June 2012

British World War Two propaganda artworks released on Wikipædia

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British World War Two propaganda artworks released on Wikipædia

Some excellent news now for those of us interested in the beautifully-illustrated artwork that was used in Second World War propaganda posters (that would be all of us, I imagine!).  The National Archives, who hold in their collection nearly 2,000 war posters - originally commissioned by the Ministry of Information - have partnered with Wikimedia UK to begin making all of them freely available in the public domain.

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More than 350 images of classic wartime propaganda posters have already been put up, with the remainder to be digitised and uploaded in the near future.  This means that nearly 400 evocative (and high-resolution!) pictures from 1939-45 are available to view, download and (with proper attribution, of course) use on your blogs or however you wish!

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As well as being a welcome endeavour from the point of view of free use and availability it is also, as with any move to put historical documents online, an important and worthy undertaking that ensures these valuable images are saved and accessible for future generations.  (I seem to say that every time old documents are scanned by an organisation, but I stand by it).  A hearty well done to The National Archives and Wikimedia UK for being willing and able to set this project in motion.  Like this poster says:-

Addendum

In other related news I feel it is only right to include a link to the recent obituary of Maureen Dunlop de Popp, an Anglo-Argentinian lady who was one of the few woman pilots to join the Air Transport Auxiliary (ATA) service in the Second World War.  The passing of such a remarkable person is not happy news but her long and exciting life certainly is and it is only right that it should be remembered.  Maureen Dunlop de Popp's parting leaves one less ATA-girl in the world but reminds us of the great risks and important work undertaken by her and thousands of women like her in the Services during the war.  We will never forget them.

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Maureen Dunlop [de Popp] (1920-2012), pictured on the cover of
Picture Post in 1944 when serving as First Officer in the ATA

Thursday, 14 June 2012

Three cheers for the Morgan 3-wheeler



Morgan 3 Wheeler Review

Looking through my Stats page during this quiet period I am reminded that some of my most-viewed posts are those detailing the announcement and development of the new Morgan 3-wheeler, a 21st Century reincarnation (see what I did there?) of the classic design that served the historic British sports car company Morgan well for almost the first 50 years of its existence.

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Now I am able to return again to news of this car thanks to the full road test recently carried out by my favourite motoring periodical, the Autocar.  The good (nay, great) news is - if you will forgive me for giving away the result - they love it, giving it a full five stars!  As with all true motoring enthusiasts they have understood and appreciated the simplicity and sheer "fun factor" of such a car and their glowing verdict must surely cement its place as a modern classic (in the truest sense of the term).  In a separate 3-car test by the same magazine that included the Caterham, widely regarded as the best lightweight sports car on the market, the Morgan won easily.  There is an accompanying video review here but as much as I am pleased to see a lady testing and enjoying such a motor car nothing can better the pure noise of the car and a driver in full flying leathers piloting it (such an outfit should come as standard with the car, in my opinion!) as can be seen in the leading clip.

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Getting back to the car itself here is a vehicle that has stayed completely true to its original design, a design that started off the Morgan Motor Company in 1909 and which it continued to build and refine until 1953 when production of the 3-wheeler stopped.  So similar is this new 3-wheeler to the classic Aero and Supersports models of the 1920s and '30s that, bar the interior and a few other minor trim details, you could be hard-pressed to tell them apart.  It is a testament to that design that it has been reintroduced with so few changes and even more so accepted and championed by the motoring press and enthusiastic drivers alike.

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The rave reviews this car has received since its launch confirms to my mind the view that classic, tried-and-tested designs are still relevant - even desirable - in today's fast-paced electronic world (in short, vintage rocks! - but then we know that) and simplicity plus a healthy dose of charm can continue to win through.

No car manufacturer knows this better than Morgan, as their range of classic and modern retro sports cars can attest to.  Like the very vehicles they produce, their business model is a fantastic fusion of old-school practices and modern technology and their continued success is something I, as a Britisher, am immensely proud of.  The new 3-wheeler is the latest embodiment of that ethos and could not have returned at a better time.  It may have taken fifty years but the motoring world is once again a happier place thanks to the Morgan 3-wheeler.  Now, where can I find £30,000?

Wednesday, 13 June 2012

Lookin' good but feelin' bad...



With vintage news again thin on the ground (has something happened - not only are my daily page views right down, but some of the vintage fora that I frequent are very quiet too?) my mind is turned once more to some thoughts and opinions related to vintage, which I have come across recently.

Charlotte over at Tuppence Ha'penny has written another excellent post about an attitude we vintage aficionados face every so often and you can read my own views on the debate here.  Suffice to say we continue to agree on the definition of a "vintage lifestyle".

Around the same time two other vintage bloggers, the lovely Veronica Vintage and Old Fashioned Susie, have written two interesting posts about living the vintage life while afflicted with serious health problems and it is this aspect that I intend to focus on today. As some of you may remember I disappeared for 4 months a year ago when a straightforward abdominal surgery went wrong leaving me in hospital between May and August.  My health has not been at its best in recent years, but I am feeling near to as well as I can be at the moment having recovered from that last hiccough.

I haven't for one minute let these problems interfere with my wearing of vintage-inspired clothing.  As a matter of fact I find vintage garments, particularly the high waist/rise and braces (suspenders) of vintage trousers, far more comfortable than modern cuts - a welcome example of sartorial serendipity.  I continue to find that dressing smartly and taking pride in my appearance helps to occupy my mind and makes me feel better about myself on the days when I might not be feeling so hot.

"...and if you ask me you're too well-dressed to be ill."

By and large the compliments I receive are welcome and generally along the lines of "you've recovered well" or the classic "you look a lot better".  Among those positive remarks, though, I've come across a few times now a somewhat negative attitude linked to my vintage appearance.  I am sometimes told "you don't look ill" with the inference clearly being that I somehow dress too well for someone with health issues.  It has even been suggested that by dressing as a chap and a gentleman I am perpetuating a fraud and "fooling people" into thinking that I'm healthier than I might be.

A constant ringing in his ears, but does that stop him
wearing a suit, tie and pocket square...? ;)
I can't help it if the clothes I choose to wear lead people to make assumptions about me and I think such attitudes are downright silly - it's practically suggesting that I should wear jeans, a dirty t-shirt and three days' worth of stubble every time I go to see my doctor.  Part of the problem, of course, is that most people wear such an outfit even when they're not sick - expectations (and standards) have therefore dropped to an all-time low.  Another reason might be linked to a generational paradigm shift.  People who lived through great hardships such as the war (basically people from the eras we are interested in and have an affinity with) made light of their difficulties and "muddled through" without wishing to make a fuss or draw attention to themselves.  Ask my 86-year-old nan (whose ailments are too many to list) how she is and the instant reply is "Oh fine thanks, dear".  My similarly stoic approach to ill-health can no doubt trace its roots to my love of times past.  Nowadays although the "don't trouble the doctor" attitude is still very much in evidence so many people don't bother with their appearance even when they're well that when they're not it readily shows and throws my dapper appearance into even starker relief.  Having said that, and to tie in with Charlotte's (and my earlier) post, let me reiterate that I am eternally grateful to be living in a time when medical advancements mean that I am able to live a normal life and there's absolutely no way I'd want to live in the 1930s (when my condition had only just been discovered!).

It's a shame that such attitudes as I describe exist, but perhaps I should not be so surprised given the various similar opinions that are handed to us when someone sees the way we dress.  Thanks to Veronica and Susie for their thoughts on this aspect of vintage - I'd be interested to hear yours!

Thursday, 7 June 2012

Sound the fanfare, it's giveaway time!

I know I promised a giveaway months (if not years!) ago when I reached 100 followers.  I've been a very naughty and remiss blogger not to have got around to it until now but as they say, better late than never!  So with apologies for the delay, I hereby present the One Hundred and Fifty Followers Eclectic Ephemera Giveaway (or the Fifty Followers Later Giveaway, or the One Hundred and Fifty-Five Followers And Counting Giveaway!).  Actually I don't know about you but I felt obliged to wait a little while until I was safely past the 150 followers mark, as I've had the odd incident of losing a follower or two in the past (please, don't leave me - I value you all!!) and I didn't want this to turn into the "Oops, One Hundred and Forty-Eight Followers Giveaway! ;)


Anyway, moving on.  Entry couldn't be simpler.  I don't have a Twitter account, so you don't have to tweet anything.  I don't have a Farcebook account, so you don't have to "Like" or link anything.  All you have to do to be in with a chance of winning is to be a Follower (and remain one after this giveaway is over! ;) ) - either through Google Friend Connect or BlogLovin' - and leave a comment below.  Do this, and you may be the lucky recipient of the following splendid items:

  • Two A1-size reproduction film posters of the 1942 Humphrey Bogart classic Casablanca and Alfred Hitchcock's seminal 1959 movie starring Cary Grant and Eva Marie Saint - North By Northwest.  The reverse of the posters also feature interesting facts and trivia about the productions.  (Please note these came to me folded so do have crease lines.  They should iron out, though, and the posters are otherwise tidy.);
  • A selection of 6 facsimiles of The Daily Mirror newspaper from important dates in history, all contained in a handy plastic case.  Newspapers are from:  16th April 1912 (Sinking of the Titanic), 8th May 1945 (VE Day), 23rd November 1963 (assassination of President Kennedy), 31st July 1966 (England's winning of the World Cup), 21st July 1969 (the Apollo 11 moon landing) and 12th September 2001 (the 9/11 attacks);
  • A copy of Oscar Wilde: A Selection of Stories and Plays.  A nice, thick little tome which includes The Picture of Dorian Gray, Lord Arthur Savile's Crime, The Canterville Ghost, The Sphinx Without a Secret, The Model Millionaire, The Importance of Being Earnest, Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband, Salomé, The Duchess of Padua, Vera, or The Nihilists and A Florentine Tragedy;
  • The pièce de résistance - a copy of the 1954 James Stewart-June Allyson film The Glenn Miller Story on DVD!  Featuring all the classic Glenn Miller songs (played by the original Glenn Miller Band) including In The Mood, Chattanooga Choo-Choo, Pennsylvania 6-5000 and A String of Pearls.  Plus, of course, the marvellous Jimmy Stewart and the lovely June Allyson!  (Please note that this is a Region 2 and 4 DVD and will only play on a Region 2 or 4, multi-region or decoded DVD player). 

All this could be yours!

    The giveaway will remain open until - what shall we say? - Friday 22nd June.  There, two weeks ought to be enough, don't you think?  The winner will be announced on the Saturday (23rd).  Good luck everyone, and thanks for following!

      Wednesday, 6 June 2012

      I went to London to see... the Jubilee (and the Queen - I wish!)

      "What did you get up to over the Jubilee Weekend?" is the question on everyone's blog at the moment and it's a question I'm happy to answer as I had been thoroughly looking forward to the occasion and the chance to celebrate Her Majesty's remarkable achievement.

      Congratulations, ma'am!

      Being firmly in the Royalist camp, albeit in an understated fashion (no Union Jack waistcoats, giant flags and whatnot here), the bunting had been hung by Tuesday of the previous week and plans were tentatively being made.  As it happens they weren't really followed, but a fun time was had nonetheless.


      On Saturday I went to the local Jubilee party in the nearby park, although it was advertised as simply an "Afternoon Fun Day" to cater for everyone no doubt.  I say "advertised", but a badly-handwritten fabric sheet draped over some railings (such that the top part was folded back over itself rendering the first line invisible) was the only real advertising the thing got (as far as I know) so it was a pleasant surprise to see it garner quite a crowd.

      Considering the poor level of advance notice and the fact that the organisers were the same people whose "Victorian Christmas Fayre" consisted of two opposing Cats' Protection League and RSPCA raffle stands and a dilapidated cup-and-saucer ride all manned by people in jeans and fleeces I wasn't expecting much.  It turned out to be a bigger event (not difficult after the winter's "fayre") but still mainly featured lucky dip stalls with silly prizes such as giant inflatable hammers; also present were a couple of bouncy castles, the CPL offering free neutering(!) and some dance troupes jumping around to modern bass-heavy music.  All right for the children, no doubt, but little to keep me there so I took a turn around the rest of the park instead.

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      I had a half-formed plan in mind to head to London on the Sunday to try and catch a glimpse of the royal barge but a wall of grey accompanied by heavy rain as early as 11 o'clock dissuaded me.  I have nothing but admiration for those who braved the weather line the banks of the Thames and feel a bit silly for wimping out, but I resolved to go to Town on the Monday instead and contented myself with watching the proceedings on the television.  It was certainly a drier experience, although I began to believe that I would have seen more of interest had I actually gone to the City.  I'm glad to see that I wasn't alone in deploring the B.B.C's coverage.  I know they're having to cut costs, but honestly it was a bit of a shambles I thought.  What say you, who saw the broadcast?


      So to the Tuesday, and I hopped on a train to the metropolis at 11:30.  I'd decided again to miss the crowds at St Paul's and instead take a leisurely stroll around all my old City haunts and just take in the Jubilee spirit.  My "stroll" ended up taking me from Fenchurch Street all the way to Waterloo Bridge, via Leadenhall Market and the Thames Path and with the odd stop to snap the near-complete Shard and the Tate Modern.


      The Jubilee spirit was still very much in evidence, with lots of tourists, Union flags and families around the South Bank, obviously seeing some sights before waiting for the procession/heading to the Mall.  The giant picture of the Royal Family on the balcony of Buckingham Palace during the Silver Jubilee was still in place on the front of Sea Containers House and mightily impressive it was too.  It was lovely to see all the Union flags hanging from buildings and lamp posts.


      I was pleased to be able to again peruse the second-hand book stalls beneath Waterloo Bridge that formed so integral a part of my lunchtimes at my old job and although I was tempted a few times nothing really called out to me so I headed back towards Fenchurch Street, this time via the Millennium Bridge and Cleary Gardens - one of the City's green spaces, the site of a Roman bath and vineyard, later a bomb-damaged area and now once again a vineyard-inspired terrace.

      But for the sound of passing trains, you'd hardly think this was central London

      "Fred Cleary 1905-1984, Tireless in his work to increase open space in the City"
      The City itself was all but deserted, as it usually is on Sundays and bank holidays, but I did see some church service attendees around St Paul's (the bells of which were still pealing at 2 o'clock) wearing naval uniform, morning dress and tailcoat & frilled shirt, with their partners in their smart dresses and formal hats.

      Speaking of smart dress - a little tip, chaps within striking distance of London.  Around the Cannon Street-Bow Lane-Cheapside triangle there were/are a large number of off-the-peg tailors - independents and chains such as T.M. Lewin - who were having closing down or summer sales with as much as 50% off.  Sadly they were closed, but surely there is a bargain or two to be had.  I may well go back and see, but for now that was the end of my Jubilee weekend.  I'm glad to see so many fellow British vintage bloggers celebrating in style, and look forward to reading yet more descriptions of Jubilee fun.

      Saturday, 2 June 2012

      Neon light left on since 1935 racks up $17,000 in electric bills

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      Neon light left on since 1935 racks up $17K in electric bills

      This blog often features stories of vintage machinery being unearthed and then restored to working order (witness the recent MG story), but this is one of those unusual occasions when someone has come across something that was still working after having remained undiscovered for over 70 years!

      Tales of long-lived light bulbs are not as rare as one might be given to think, with several even older than 70 years known throughout the UK and USA, but this is the first example in my experience of a newer neon light being found still in working order - and in such remarkable circumstances to boot (not to mention the fact that it has been on continuously for all this time, whereas other "old bulbs" are switched off and on)!

      Clifton's Cafeteria unveils its original facade after almost 50 years

      These remarkable circumstances first began to unfold back in February when Clifton's Cafeteria, a landmark Los Angeles restaurant that dates back to the mid-1930s, began to be restored by its new owner.  Why I didn't do a post about it at the time I can't imagine, but the link to the original story in the L.A. Times is above.  Following the removal of the cafe's later 1960s covering the building's original frontage from when it was first built in 1904 was revealed (and jolly nice it looks too - or will look once it is renovated, I'm sure).

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      Work has since begun on the internals, at which point this amazing neon light has been discovered buried behind a wall!  Still on after maybe 77 years, at a potential cost of $17,000 (although I wonder if the Los Angeles electricity board will waive the fee?).  An incredible testament to neon's longevity and also to the original owner of Clifton's who, by all accounts, simply built over or reused old features - who knows what else may be uncovered during the restoration?  Already other artefacts such as a wall map from the building's pre-'35 department store days and vintage floor tiles have been found, among other things.  What a fantastic place!

      Happily the new owner recognises the historical importance of these discoveries and the building in general and plans a sympathetic restoration of the restaurant to its 1930s heyday - with perhaps a few modern concessions - including an area to display these wonderful finds (and even a replica of the original transparent landscape that the neon light - which will stay on - would have sat behind!).

      I wish the new owner the best of luck with Clifton's Cafeteria and can't wait to see what other finds are just waiting to be found in there.  I hope the people of Los Angeles take the place to their hearts (it sounds as though it was already a popular eatery) and if I'm ever in L.A. I know where I'm having lunch!

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